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24 Character Preludes: Piano Book & CD

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24 Character Preludes Cover Image

24 Character Preludes: Piano Book & CD

Late Intermediate to Early Advanced Piano Solos in All Major and Minor Keys

By Dennis Alexander

Level: Late Intermediate / Early Advanced

Item: 00-20752

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Description
This collection of preludes in all major and minor keys contains a wealth of pedagogical challenges for the late intermediate to early advanced level student. Each prelude is designed to explore one or more pianistic problems, and serves as excellent preparatory repertoire for the more complex character pieces of the great masters of the nineteenth and twentieth centuries. The sounds of Bach, Mendelssohn, Schumann, Rachmaninoff, Debussy, Ravel, Gershwin, Prokofieff and Copland are echoed in the pieces in this collection. Dennis Alexander has recorded beautiful solo renditions of all 24 pieces on a correlated compact disc, which is packaged with each book in a convenient vinyl slip-pocket. The recordings are ideal for students to listen to at home for performance modeling and for quick teaching reference as you assign selections.

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Sample Pages

Sample Audio
1 01 Opening Act --:--
2 02 Melancholy Evening --:--
3 03 Timeless --:--
4 04 Zigzag --:--
5 05 The Village Piper --:--
6 06 Whirlwind --:--
7 07 On Majestic Peaks --:--
8 08 Dreamcatchers --:--
9 09 Celestial Lullaby --:--
10 10 Fleeting Spirits --:--
11 11 Petite Nocturne --:--
12 12 Longing --:--
13 13 Corps De Ballet --:--
14 14 Regrets --:--
15 15 Jubilato --:--
16 16 Castle in the Mist --:--
17 17 Smoldering Blues --:--
18 18 Thunderflash! --:--
19 19 Sunshower --:--
20 20 Solemn Decree --:--
21 21 Warm Embrace --:--
22 22 Gymnastic Extravaganza --:--
23 23 Morning Glories --:--
24 24 Bravissimo! --:--

01 Opening Act

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-2341-1
ISBN13: 978-0-7390-2341-9
UPC: 038081195162
SKU: 00-20752

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped educational piano repertoire for nearly four decades as a composer with Alfred Music Publishing, creating over 400 works that span all student levels. His background as a piano pedagogue at the University of Montana for 24 years and later at California State universities informs his deep understanding of what students need to grow as musicians and interpreters.

Beyond the page, Alexander maintains an active performance schedule as soloist, accompanist, and chamber musician. He has appeared at Carnegie Recital Hall, collaborated with internationally recognized artists, and served as clinician and adjudicator at state and national conventions. His tours throughout Asia and work as a commissioned composer demonstrate his continued engagement with the global music community.

Why we love this

Alexander writes preludes that sound like real music while teaching genuine pianistic problems. Each piece targets a specific technical challenge or musical style without feeling like an etude, and the inclusion of his own recordings provides students with professional performance models they can study at home.

What to expect

These preludes breathe with personality. You'll find moments of lyrical Mendelssohnian grace, crisp twentieth century wit, impressionistic color, and classical restraint. The variety keeps the collection fresh across 24 keys, and each piece unfolds with enough sophistication to satisfy a growing musician without overwhelming the learning process.

Who it's for

Late intermediate to early advanced pianists who are ready to explore genuine character pieces and broaden their stylistic vocabulary. This collection works especially well for students preparing for more demanding nineteenth and twentieth century repertoire and for those who benefit from guided technical challenges within a musical context.

How to get the most out of it

  • Study the composer's recorded version first to understand the character and stylistic intent of each prelude before diving into technical work.
  • Identify the primary pianistic problem each piece addresses (hand independence, voicing, pedal technique, etc.) and make that the focus of your practice rather than trying to solve everything at once.
  • Reference the major and minor composers echoed in each prelude (Bach, Mendelssohn, Debussy, and others) by listening to their own character pieces; this contextual knowledge deepens interpretation.
  • Record yourself regularly against the accompanied CD to build confidence and catch rhythmic or interpretive drift.

How to use it

Assign these strategically as bridges between method book progression and the classical repertoire canon. A single prelude or small group of them work beautifully in student recitals, or use them as technical preparation for larger works students are learning in other study. The variety of keys and styles means you can match individual pieces to each student's current goals and interests.

Skills your students will build

  • Sight-reading and familiarity across all 24 major and minor keys
  • Stylistic interpretation (Baroque, Romantic, Impressionist, and twentieth century idioms)
  • Specific pianistic techniques (voice leading, pedal control, hand independence, dynamic shaping)
  • Quick learning and performance confidence through focused technical study
  • Ear training through listening to professional recordings alongside their own practice

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