17 Concert Studies Cover Image

17 Concert Studies: Horn, Collections, Book

$7.95 USD
Sale price  $7.95 USD Regular price 
Skip to product information
17 Concert Studies Cover Image

17 Concert Studies: Horn, Collections, Book

By Franz Strauss, ed. Richard Strauss and Hugo Rüdel

Item: 36-M151891

$7.95
Shipped

One moment…

Description
Franz Josef Strauss (1822-1905 was a German composer and virtuoso horn player. He was the principal horn player of the Bavarian Court opera and taught at the Royal School of Music in Munich. The studies are written in contrasting styles, many based on themes from Beethoven's works. These are edited by Richard Strauss and Hugo Rüdel, horn player and chorus master. Reprint edition.

17 Concert Studies: Horn, Collections, Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Master Brass Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876373-6
ISBN13: 978-1-62-876373-7
UPC: 660355057359
SKU: 36-M151891
Instrumentation: Horn

More about this title

About the Composer: Franz Strauss

Franz Strauss (1822–1905) was a German horn virtuoso and composer who shaped the development of 19th-century brass pedagogy. As principal horn player of the Bavarian Court Opera and later faculty member at the Royal School of Music in Munich, he understood the instrument's technical demands from firsthand experience at the highest professional level.

His concert studies remain essential repertoire for advanced hornists because they balance musical substance with genuine technical challenge. Rather than writing empty displays, Strauss grounded his studies in the melodic traditions of his era, frequently drawing on themes by Beethoven and other masters to ensure that technical work always served musical expression.

Why we love this

These studies carry the authority of a composer who was himself a principal orchestral player, meaning every passage reflects real-world demands and solutions. The collection's variety of styles keeps advanced students engaged across an entire set without repetitive patterns, while the integration of Beethoven-derived themes provides rich musical content beneath the technical work.

What to expect

The collection spans from lyrical, song-like passages to brilliant technical display, often within the same study. There's a 19th-century elegance throughout, rooted in the German Romantic tradition, that distinguishes these from purely mechanical etudes.

Who it's for

Advanced horn students preparing for conservatory auditions, college ensemble placements, or professional auditions will find these studies indispensable. They work equally well for experienced amateur hornists seeking challenging solo repertoire that demands both technical control and musical maturity.

How to get the most out of it

  • Approach each study as a complete piece with its own character and shape, not merely as a technical exercise. The contrasting styles demand different tonal colors and phrasing approaches.
  • Use the editorial markings by Richard Strauss and Hugo Rüdel as guides to interpretation; they reflect the practical insights of working professionals from the composer's own circle.
  • Balance virtuosic passage work with attention to voice leading, especially in studies based on Beethoven material where underlying harmonic structure rewards musical phrasing.

How to use it

Select individual studies as recital pieces for advanced horn students, or program a single study as part of a solo brass recital to showcase technical refinement. They also serve as excellent solo repertoire for concert programming when featured with orchestral accompaniment.

Skills your students will build

  • High-register facility and secure intonation across the full range
  • Rapid scalar passages and articulation control
  • Lyrical phrasing and sustained tone production
  • Interpretation of Romantic-era style markers and expression
  • Musical independence in varied tempos and character types

You May Also Like