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150 Original Exercises in Unison for Band or Orchestra: E-flat Instruments Book

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150 Original Exercises in Unison for Band or Orchestra Cover Image

150 Original Exercises in Unison for Band or Orchestra: E-flat Instruments Book

By Grover C. Yaus and Roy M. Miller

Item: 00-EL00149

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Description
150 Original Exercises in Unison for Band or Orchestra was designed expressly for teaching division of measure, and tempos and rhythms, with warm up/tune up and scale exercises. Equally adaptable for any single instrument or any combination of instruments.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2865-8
ISBN13: 978-0-7692-2865-5
UPC: 029156031669
SKU: 00-EL00149
Instrumentation: E-flat Treble Instruments

More about this title

Why we love this

This book strips away the guesswork from sectional rehearsal. Yaus and Miller built 150 exercises specifically around the rhythmic and metric challenges that trip up young players, so your E-flat section spends focused time on precision rather than wading through generic warm-ups. The unison format means every player locks into the same figures, making intonation and ensemble clarity immediate and audible.

What to expect

Straightforward and functional. These exercises strip rhythm to its essence, asking players to concentrate on accuracy and alignment without harmonic or melodic distraction. There's clarity in that simplicity, and progress is tangible.

Who it's for

E-flat players in beginning and intermediate concert bands who are still solidifying rhythmic reading and ensemble pulse. Band directors seeking focused warm-up material that targets division of measure rather than relying on scales alone will find this essential for sectional work.

How to get the most out of it

  • Establish tempo with a click or metronome before each exercise; the rhythmic variety demands consistent time reference so players build accurate internal pulse, not just reaction.
  • Work through the scale and warm-up exercises daily as opening ritual in section or full ensemble, rotating among the exercises to prevent routine and keep ears fresh.
  • Layer difficulty gradually; early exercises build foundational division of measure, so don't skip them even with stronger players—they develop the subdivision language needed for later figures.
  • Pause between exercises to address intonation collectively; playing in unison reveals tuning mismatches instantly, creating natural teaching moments without singling out individuals.

How to use it

Open sectionals with a rotation of warm-up and scale exercises from this book, then use the remaining material as homework or independent study to reinforce whatever rhythmic challenges emerged in full rehearsal. This is rehearsal infrastructure, not concert repertoire, but it builds the rhythmic literacy that makes everything else play better.

Skills your students will build

  • Reading and executing mixed metric divisions (simple and compound)
  • Maintaining consistent tempo under varied rhythmic figures
  • Ensemble intonation and unison balance
  • Subdivision and internal pulse accuracy
  • Scale studies across multiple keys

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