12 Little Duets Op. 38 for 2 Violins, Vol. 2 Cover Image

12 Little Duets Op. 38 for 2 Violins, Vol. 2: Violin Duets

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12 Little Duets Op. 38 for 2 Violins, Vol. 2 Cover Image

12 Little Duets Op. 38 for 2 Violins, Vol. 2: Violin Duets

Nos. 7-12 (Set of Parts)

By Jacques Féréol Mazas / ed. Carl Hermann

Item: 98-EP1955B

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-01-400889-0
ISBN13: 979-0-0140-0889-5
SKU: 98-EP1955B

More about this title

About the Composer: Jacques Féréol Mazas

Jacques Féréol Mazas (1782-1849) was a French violinist and composer whose pedagogical works shaped violin instruction throughout the 19th century. His systematic approach to technical development made him one of the most influential violin pedagogues of his era, and his compositions remain central to intermediate and advanced string curricula today.

Mazas wrote extensively for developing violinists, creating etudes and duets that balance musical substance with progressive technical challenges. His duets in particular are prized for their ability to build ensemble awareness and intonation skills while remaining genuinely musical and engaging for both players.

Why we love this

These duets arrive at exactly the right moment in a violinist's development: technically accessible yet musically complete, with genuine two-part writing that demands listening rather than imitation. Each piece teaches collaboration without asking students to abandon their own musical voice, and the collection's variety means you'll find the right fit for nearly any pairing or concert program.

What to expect

Mazas's duets have an elegant, unhurried quality; they invite genuine musical conversation rather than competition. The writing is transparent and singable, with clear phrases that give both players a sense of architecture and purpose, making even technically simple passages feel meaningful.

Who it's for

These duets suit violinists in the intermediate range who are ready to explore two-part writing and ensemble responsibility. They work equally well for private studio instruction, group lessons, and recital partnerships, and they provide natural repertoire for young players preparing for youth orchestra auditions or chamber music festivals.

How to get the most out of it

  • Balance the melody between partners by listening for moments where the musical line passes from one violin to the other; resist the habit of always playing louder in unison passages.
  • Establish a shared vibrato style and speed before rehearsing; mismatched vibrato is far more distracting in duets than technical imperfections.
  • Decide on bow direction together for passages that aren't marked, especially when both violins play the same note; this unified gesture strengthens the partnership and improves tone blend.
  • Use the Edition Peters edition's clear fingering suggestions as starting points, then experiment with alternatives that feel natural for each pair; different hand sizes and positions may call for different solutions.

How to use it

Feature these duets on studio recitals or chamber concerts as lighter pieces between heavier works, or use them to open a program with warmth and clarity. They also work beautifully in educational settings where demonstrating ensemble skills or introducing duet literature is an objective; the collection's range ensures you can match difficulty to your pairing.

Skills your students will build

  • Listening and blend in two-part writing
  • Intonation adjustment in relation to a partner
  • Sustained vibrato that matches another player
  • Phrasing consistency across repeated melodic material
  • Reading second violin parts with confidence and independence
  • Bow coordination and unified rhythmic attacks in unison passages

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