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100 Easy Piano Classics: Piano Book

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100 Easy Piano Classics Cover Image

100 Easy Piano Classics: Piano Book

The World's Most-Beloved Masterpieces

Ed. E. L. Lancaster and Kenon D. Renfrow

Level: Easy Piano

Item: 00-34438

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Description
Chosen from the four stylistic periods of piano repertoire and presented in their original form, the 100 pieces in this collection have been favorites of pianists throughout the years. To help in performance, the editors have realized ornaments and added editorial markings such as phrasing, expression marks, and dynamics where appropriate. Titles: Little Prelude in C Major, BVW 939 (J. S. Bach) * Teasing Song, from For Children (Bartók) * Ecossaise in G Major (Beethoven) * Sonatina in C Major, Op. 36, No. 1 (Clementi) * Waltz in C Major (Diabelli) * Spinning Song, Op. 14, No. 4 (Ellmenreich) * The Chase, Op. 117, No. 5 (Gurlitt) * Minuet in G Major (Haydn) * Prelude in G Major (Kuhnau) * Minuet in F Major, K. 2 (Mozart) * Minuet in A Minor (Purcell) * Minuet in C Major, K. 73b; L. 217 (D. Scarlatti) * The Happy Farmer, from Album for the Young, Op. 68 (Schumann) * Italian Song, No. 15 (Tchaikovsky) * and more.

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Additional Details
Publisher: Alfred Music
Page Count: 172
ISBN10: 0-7390-6709-5
ISBN13: 978-0-7390-6709-3
UPC: 038081382814
SKU: 00-34438

More about this title

Why we love this

This collection spans four centuries of keyboard writing without asking students to wrestle with scholarly editions or heavily annotated scores. The editors have done the interpretive legwork—realizing ornaments, adding phrasing and dynamics where needed—so pianists can focus on music-making rather than deciphering baroque conventions. Recital programs practically build themselves from 100 pieces that have earned their place through genuine musical substance.

What to expect

This book captures the essence of piano writing across centuries: the crystalline clarity of Bach's counterpoint, the playful rhythmic wit of Romantic miniatures, the balanced proportions of Classical sonatinas. Moving through these pieces is like walking through a gallery of carefully curated masterworks, each one complete and whole in itself, yet revealing new dimensions with repeated listening.

Who it's for

Early intermediate pianists building a recital repertoire and teachers seeking authentic classical literature presented accessibly. Advanced beginners transitioning from method books will find pieces challenging enough to deepen technique while remaining musically rewarding.

How to get the most out of it

  • Treat the editorial markings as a foundation, not a ceiling. Once you understand the phrasing and expression choices the editors suggest, experiment with rubato and voice distribution, especially in the Baroque works where flexibility serves the music.
  • Study the stylistic context of each piece before practicing. A Bartók teasing song demands a different rhythmic character than a Mozart minuet; knowing the composer's era shapes how you shape the line.
  • Use shorter pieces as technical preparation for longer ones. The Bach Prelude or Scarlatti Minuet can warm up your fingers and ears before tackling the Clementi Sonatina.

How to use it

Build recitals around thematic groupings: several Baroque minuets followed by Classical sonatinas and waltzes, or pair pieces from the same composer to show stylistic development. Individual pieces work beautifully for student recitals, competitions, and studio performances where you need reliable, musically substantial repertoire at accessible levels.

Skills your students will build

  • Baroque ornamentation and counterpoint (Bach, Kuhnau, Purcell)
  • Classical period phrasing and balanced form (Haydn, Mozart, Clementi)
  • Romantic character piece interpretation (Schumann, Tchaikovsky, Gurlitt)
  • Reading and executing editorial phrasing and dynamics markings
  • Stylistic differentiation across four musical periods
  • Coordination of melody and accompaniment patterns common to each era

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