1, 2, 3, 4 Cover Image

1, 2, 3, 4: Concert Band Conductor Score & Parts

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1, 2, 3, 4 Cover Image

1, 2, 3, 4: Concert Band Conductor Score & Parts

As performed by Plain White T's

Words and music by Tom Higgenson

Grade: 2 (Easy)

Item: 00-34072

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Description
1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit "Hey There Delilah." This smooth, acoustic rock tune is sure to be hit with your group!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 1, 2, 3, 4: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Hot Pop Band
Publisher: Alfred Music
Page Count: 124
UPC: 038081387338
SKU: 00-34072

More about this title

About the Composer: Tom Higgenson

Tom Higgenson is the lead vocalist and primary songwriter of Plain White T's, the pop-rock band that rose to prominence in the mid-2000s. His songwriting balances accessibility with genuine emotional resonance, evident in hits that have connected with millions of listeners across multiple formats.

Why we love this

This arrangement captures the melodic charm that made the original radio hit while giving your band something genuinely fun to perform. Students recognize the song immediately, which builds engagement, but the straightforward Grade 2 voicing means the focus stays on clean execution and phrasing rather than technical gymnastics.

What to expect

Smooth and radio-friendly, with the kind of memorable melodic hook that stays with listeners. The arrangement preserves the song's relaxed, acoustic-driven character while distributing parts so the entire band feels invested in the sound.

Who it's for

Concert bands at the Grade 2 level looking to program contemporary pop music that appeals to students and audiences alike. This works especially well for directors seeking accessible repertoire that maintains musical substance.

How to get the most out of it

  • Balance the melody against supportive harmonies so the hook remains clear throughout; the strength of this piece lives in its singability, not in textural density.
  • Shape the acoustic quality by keeping articulations light and even in the rhythm section; this pop tune sounds best when it feels relaxed rather than marchlike.
  • Listen for the recorded accompaniment to lock in the groove, especially in passages where the band mirrors the original recording's rhythmic feel.

How to use it

Consider pairing this with other contemporary pop arrangements in a concert designed to bridge classical and popular music worlds. It works beautifully as a closing piece for a casual concert or as part of a spring pops program where current hits sit alongside older standards.

Skills your students will build

  • Balancing melody and accompaniment voices
  • Sustaining clean, even articulation in pop-style grooves
  • Maintaining steady rhythmic feel at moderate tempo
  • Shaping phrases within a contemporary song structure

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