Territory code: B32
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Love Who You Love (From "A Man of No Importance"): Piano/Vocal/Chords -
Hold On (From "the Secret Garden"): Piano/Vocal/Chords -
You Gotta Die Sometime (From "Falsettos"): Piano/Vocal/Chords -
Back on Base (From "Closer than Ever"): Piano/Vocal/Chords -
What Am I Doin' (From "Closer than Ever"): Piano/Vocal/Chords -
Holding to the Ground (From "Falsettos"): Piano/Vocal/Chords -
I Don't Remember Christmas (From "Starting Here, Starting Now"): Piano/Vocal/Chords -
After Today (From "Dr. Doolittle"): Piano/Vocal/Chords -
People (From "Funny Girl"): Piano/Vocal/Chords -
Forever Yours (From "Once on This Island"): Piano/Vocal/Chords -
Somewhere That's Green (From "Little Shop of Horrors"): Piano/Vocal/Chords -
Ballad of Dependency: Piano/Vocal/Chords -
My Cousin in Milwaukee (From "Pardon My English"): Piano/Vocal/Chords -
Waiting for Life (From "Once on This Island"): Piano/Vocal/Chords -
Old Friend (From "I'm Getting My Act Together and Taking It on the Road"): Piano/Vocal/Chords -
Princess (From "a Man of No Importance"): Piano/Vocal/Chords -
Somewhere That's Green (From "Little Shop of Horrors"): Piano/Vocal/Chords -
That Mister Man of Mine (From "Dames at Sea"): Piano/Vocal/Chords -
What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords -
Patterns (From "Baby"): Piano/Vocal/Chords -
Jilted: Piano/Vocal/Chords -
Mad About the Boy (From "Words and Music"): Piano/Vocal/Chords -
Boy Wanted (From "My One and Only"): Piano/Vocal/Chords -
The Boy Friend (From "the Boy Friend"): Piano/Vocal/Chords
About This Collection
Description
This collection centers on choral arrangements across all voicings and difficulty levels, with particularly strong offerings in contemporary pop and rock. Bill Withers' Lovely Day dominates across multiple voicing options (SATB divisi, SAB, and 2-Part), while Laufey Jónsdóttir's From the Start and Lin-Manuel Miranda's Found/Tonight have built steady adoption among teachers. You'll find nearly 1,200 choral secular titles here, plus marching band, concert band, and jazz ensemble music, with most arrangements available as PDF downloads and many supported by recorded accompaniments.
Highlights
Teachers keep returning to Bill Withers' Lovely Day in its various voicings, particularly the SATB divisi and SAB octavos. Laufey Jónsdóttir's From the Start works well across both SATB and SSA voicings. Kirby Shaw's Winter Wonderland and Jay Althouse's The Pink Panther are popular choices for mixed choirs, while George Gershwin's They Can't Take That Away from Me (arranged for SATB) maintains consistent classroom use.
Recently added
Practical Ear Training for Improvisers by David Kane arrived in April 2025 as a book resource for musicians developing listening and improvisation skills.
Composer & Author Spotlight
George Gershwin and Ira Gershwin have each contributed over 200 titles to this collection, spanning standards and theatrical arrangements. Their collaboration They Can't Take That Away from Me (SATB) remains one of the most widely adopted titles here.
Kirby Shaw brings a DMA in choral conducting from the University of Washington and has taught across 45 states and multiple countries. His arrangements balance musical substance with the kind of engaging, humor-infused approach that translates well in rehearsal. Winter Wonderland showcases his skill at making familiar material work for choirs at all levels.
Jay Althouse holds degrees in music education and choral composition from Indiana University of Pennsylvania and spent eight years in music publishing administration. His catalog of over 800 choral works spans all difficulty levels, with The Pink Panther demonstrating his gift for making popular music accessible to student singers.
Green Day's 378 titles in this collection reflect arrangements of their rock catalog. Good Riddance (Time of Your Life) in SATB voicing has found particular traction in graduation and end-of-year settings.