Territory code: A14
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Celebration Suite -- IV. Two And: Jazz Ensemble Conductor Score & Parts -
Jingle Bells: Full Orchestra Conductor Score & Parts -
Celebration Suite -- II. Slow Dance: Jazz Ensemble Conductor Score & Parts -
Concertino for Tenor Saxophone, Strings & Winds: Conductor Score & Parts -
Nevermore: Jazz Ensemble Conductor Score & Parts -
Celebration Suite -- III. Remembering: Jazz Ensemble Conductor Score & Parts -
St. Louis Blues: Jazz Ensemble Conductor Score & Parts -
Basie's Blues: Jazz Ensemble Conductor Score -
King Porter '94: Jazz Ensemble Conductor Score & Parts -
Spirituals for Saxophone: Sometimes I Feel Like a Motherless Child: Alto Saxophone & Organ Score & Part -
Ten Klezmer Duos, Vol. 2 (Sephardic): 2 Saxophones Conductor Score -
Mainburger Duette: Alto & Tenor Saxophone Conductor Score -
Spirituals for Saxophone: O Happy Day: Tenor Saxophone & Organ Score & Part -
Ten Klezmer Duos, Vol. 1: 2 Violins Conductor Score -
Saxophone Duets: 2 Saxophones Conductor Score -
Spirituals for Saxophone: O Happy Day: Alto Saxophone & Organ Score & Part -
Concert for Trombone and Wind Ensemble: Conductor Score & Parts -
Ten Klezmer Duos, Vol. 2 (Sephardic): 2 Violins Conductor Score -
Concert for Solo Clarinet and Wind Ensemble: Wind Band Conductor Score & Parts -
Ulla in Africa: 4 Clarinets (3 Clarinets in B-flat & Bass Clarinet in B-flat) Conductor Score & Parts -
Duo Suite on Mexican Themes: Woodwind Ensemble Conductor Score -
15 Three-Part Inventions: 3 Saxophones ATBar Conductor Score & Parts -
Ulla in Africa: 4 Saxophones SATBar/AATBar Conductor Score & Parts -
Bulgaria: Jazz Ensemble Conductor Score & Parts
About This Collection
Description
This jazz and contemporary music collection centers on materials for developing improvisation and ensemble skills across all levels. Jim Snidero's Jazz Conception series dominates the catalog, with separate volumes for alto, tenor, soprano, trumpet, and trombone at both introductory and intermediate-advanced levels. You'll also find Hal Crook's How To Improvise, a foundational text that teachers rely on for students learning to navigate chord changes and develop melodic language. The bulk of the 994 titles focus on saxophone, clarinet, and jazz ensemble arrangements, though you'll find materials for piano, guitar, and brass as well.
Highlights
Teachers consistently reach for Jim Snidero's Jazz Conception Alto & Baritone Saxophone and the Easy Jazz Conception volumes across multiple instruments—these titles anchor beginner and intermediate instruction. Hal Crook's How To Improvise remains a perennial favorite for students ready to work on improvisation fundamentals. Bach's Six Suites for Violoncello Solo (arranged for saxophone) has proven surprisingly durable, suggesting strong crossover interest in classical repertoire adapted for jazz players.
Recently added
New additions include Matthew Schoendorff's In Search of... The Wild Saxamuhphones for four saxophones, Bill Mays's Play Song, and Jim Snidero's latest ensemble work Ventura. Frank Reinshagen's Go Down Moses for brass quartet and Armen Donelian's Metropolitan Madness for woodwind quintet expand options beyond the saxophone-heavy core.
Composer & Author Spotlight
Jim Snidero has 74 titles in this collection and is known for his systematic approach to jazz pedagogy across multiple instruments. A working alto saxophonist recognized by Downbeat Magazine as a virtuoso and master musician, Snidero writes with the practical knowledge of what students need to hear and play in order to internalize jazz language. His Jazz Conception series remains the workhorse of many studios and ensemble programs.
Hal Crook's How To Improvise has established itself as essential reading for teachers introducing students to solo development. Bill Dobbins brings arranging and composing expertise across 66 titles, with particular strength in how harmony and orchestration serve the jazz curriculum.