SSA/SSAA Choral Sheet Music
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Best Song Ever: SSA Choral Octavo -
Snow Is Falling: SSA Choral Octavo -
Sending You a Little Christmas: SSA Choral Octavo -
Papa, Can You Hear Me? (from Yentl): SSA Choral Octavo -
Winter Carol: SSA Choral Octavo 
Winter Carol: SSA Choral Octavo
Winter Carol: SSA Choral Octavo
Words by Christina Rossetti, music by Sherri Porterfield
Digital Download$2.25Sale price $2.25 Regular price -
Never Walk Alone: SSA Choral Octavo -
Never Walk Alone: SSA Choral Octavo -
Where Everything is Music: SSA Choral Octavo -
Ask Me No More: SSA Choral Octavo -
Give Me a Choral Medley!: SSAA Choral Octavo -
Green Day on Stage: Selections from American Idiot: SSA Choral Octavo -
Why Does the Willow Tree Weep?: SSA Choral Octavo -
Though Philomela Lost Her Love: SSA Choral Octavo -
It's My Party: SSA Choral Octavo -
It's My Party: SSA Choral Octavo 
It's My Party: SSA Choral Octavo
It's My Party: SSA Choral Octavo
Words and music by Herb Wiener, John Gluck and Wally Gold / arr. Jeff Funk
Level: Moderate
Digital Download$2.25Sale price $2.25 Regular price -
Green Day on Stage: Selections from American Idiot: SSA Choral Octavo -
Ask Me No More: SSA Choral Octavo -
Why Does The Willow Tree Weep?: SSA Choral Octavo -
Give Me a Choral Medley!: SSAA Choral Octavo -
Though Philomela Lost Her Love: SSA Choral Octavo -
You Stepped Out of a Dream: SSA Choral Octavo -
One Can Hear the Falling Snow: SSA Choral Octavo -
Breathe Soft, Ye Winds: SSA Choral Octavo -
Yes, Virginia: SSA Choral Octavo
About This Collection
Description
This collection of 1,722 SSA and SSAA titles spans secular, pop, folk, jazz, and masterwork arrangements, with strong representation across all difficulty levels. Teachers return consistently to Robert T. Gibson's Dance!, Laufey Jónsdóttir's From the Start, and Victor C. Johnson's Down in My Soul! for their combination of singability and engagement. Whether you're building a concert program, preparing for festival, or looking for repertoire with recorded accompaniments (over 1,000 titles include them), you'll find substantial depth here.
Highlights
Teachers keep coming back to Dance! by Robert T. Gibson and From the Start by Laufey Jónsdóttir, both widely adopted across levels. Alan Billingsley's Dancing Queen arrangement and Andy Beck's What Was I Made For? are popular choices when you want contemporary material that connects with singers. Down in My Soul! by Victor C. Johnson and It's All Right by Curtis Mayfield round out the core repertoire that moves consistently in classrooms and studios.
Recently added
Recent releases include Greg Gilpin's In Time of Silver Rain and Daniel Brinsmead's Fire Dance (both published May 2026), along with Emilie Zumsteeg's Uplifted Voices and Olivia Dean's So Easy, adding fresh options across vocal ranges and styles.
Composer & Author Spotlight
Jay Althouse has published over 800 choral works across all levels, with Homeward Bound remaining a reliable choice for accessible, well-crafted SSA repertoire. His background in music education and his eight years in music publishing give his writing a deeply practical classroom sensibility.
Andy Beck, Director of Choral Publications at Alfred Music, brings both compositional skill and pedagogical design to his 450+ works. What Was I Made For? demonstrates his gift for writing material that's vocally satisfying without excessive technical demand. Beyond standalone pieces, Beck's method resources (Sing at First Sight, Foundations in Choral Sight Singing, Vocalize!) inform how he approaches arranging for mixed-level ensembles.
Greg Gilpin's work carries the credibility of an ASCAP-award winning composer and conductor who's performed at Carnegie Hall, Lincoln Center, and the Sydney Opera House. His It's Raining Men shows how to marry contemporary pop with solid choral writing. His recent In Time of Silver Rain continues that blend of accessibility and musical substance.
Alan Billingsley's background as an arranger for Disney and Broadway gives his educational pop arrangements uncommon polish. Dancing Queen exemplifies his ability to capture the energy of a song while keeping it singable for SSA ensembles, and his experience across commercial and theatrical contexts shows in every voicing choice.