Sacred Choral Sheet Music

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  • In The Shadow Of His Wings (arr. Stewart Harris): SATB Choral Octavo

    In The Shadow Of His Wings (arr. Stewart Harris): SATB Choral Octavo

    In The Shadow Of His Wings (arr. Stewart Harris): SATB Choral Octavo

    Arranged by Stewart Harris

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  • More Precious Than Silver (with "I'd Rather Have Jesus") (arr. Stacey Nordmeyer): SATB Choral Octavo

    More Precious Than Silver (with "I'd Rather Have Jesus") (arr. Stacey Nordmeyer): SATB Choral Octavo

    More Precious Than Silver (with "I'd Rather Have Jesus") (arr. Stacey Nordmeyer): SATB Choral Octavo

    By Lynn DeShazo / Arranged by Stacey Nordmeyer

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  • Down By The Riverside (arr. Tom Gentry): SATB Choral Octavo

    Down By The Riverside (arr. Tom Gentry): SATB Choral Octavo

    Down By The Riverside (arr. Tom Gentry): SATB Choral Octavo

    By Traditional / Arranged by Tom Gentry

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  • A Harvest Of Thanksgiving: 2-Part Choral Octavo

    A Harvest Of Thanksgiving: 2-Part Choral Octavo

    A Harvest Of Thanksgiving: 2-Part Choral Octavo

    By Roger Thornhill and Stacey Nordmeyer / By Stacey Nordmeyer

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  • Let Us Plead For Faith Alone: SATB Choral Octavo

    Let Us Plead For Faith Alone: SATB Choral Octavo

    Let Us Plead For Faith Alone: SATB Choral Octavo

    By Josh Bauder / By Charles Wesley

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  • Amazing Grace (arr. Tom Gentry): SSAA Choral Octavo

    Amazing Grace (arr. Tom Gentry): SSAA Choral Octavo

    Amazing Grace (arr. Tom Gentry): SSAA Choral Octavo

    Arranged by Tom Gentry

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  • We've Come A Long Way, Lord (arr. John A. Behnke): SATB Choral Octavo

    We've Come A Long Way, Lord (arr. John A. Behnke): SATB Choral Octavo

    We've Come A Long Way, Lord (arr. John A. Behnke): SATB Choral Octavo

    Arranged by John A. Behnke

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  • Prepare! (An Anthem For Advent): 2-Part Choral Octavo

    Prepare! (An Anthem For Advent): 2-Part Choral Octavo

    Prepare! (An Anthem For Advent): 2-Part Choral Octavo

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  • You Will Be My Witnesses: SATB Choral Octavo

    You Will Be My Witnesses: SATB Choral Octavo

    You Will Be My Witnesses: SATB Choral Octavo

    By Joseph M. Martin

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  • Holy God We Praise Your Name: SATB Choral Octavo

    Holy God We Praise Your Name: SATB Choral Octavo

    Holy God We Praise Your Name: SATB Choral Octavo

    By Burton Bumgarner

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  • Non Nobis, Domine (arr. William C. Powell): SAB Choral Octavo

    Non Nobis, Domine (arr. William C. Powell): SAB Choral Octavo

    Non Nobis, Domine (arr. William C. Powell): SAB Choral Octavo

    By Rosephanye Powell / Arranged by William C. Powell

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  • As You Think In Your Heart: SATB Choral Octavo

    As You Think In Your Heart: SATB Choral Octavo

    As You Think In Your Heart: SATB Choral Octavo

    By John Purifoy

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  • Morning Has Broken (New Edition) (arr. John Leavitt): SATB Choral Octavo

    Morning Has Broken (New Edition) (arr. John Leavitt): SATB Choral Octavo

    Morning Has Broken (New Edition) (arr. John Leavitt): SATB Choral Octavo

    Arranged by John Leavitt

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  • It Was On A Silent Night: SAB Choral Octavo

    It Was On A Silent Night: SAB Choral Octavo

    It Was On A Silent Night: SAB Choral Octavo

    By Richard A. Nichols

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  • How Can I Keep From Singing (with "Amazing Grace"): SATB Choral Octavo

    How Can I Keep From Singing (with "Amazing Grace"): SATB Choral Octavo

    How Can I Keep From Singing (with "Amazing Grace"): SATB Choral Octavo

    Arranged by Tom Fettke

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  • Jesus, Son Of God: SATB Choral Octavo

    Jesus, Son Of God: SATB Choral Octavo

    Jesus, Son Of God: SATB Choral Octavo

    By Rosephanye Powell

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  • The Great Cloud: 2-Part Choral Octavo

    The Great Cloud: 2-Part Choral Octavo

    The Great Cloud: 2-Part Choral Octavo

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  • When I See Him (arr. Russell Mauldin): SATB Choral Octavo

    When I See Him (arr. Russell Mauldin): SATB Choral Octavo

    When I See Him (arr. Russell Mauldin): SATB Choral Octavo

    Arranged by Russell Mauldin

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  • Not One Falls: SATB Choral Octavo

    Not One Falls: SATB Choral Octavo

    Not One Falls: SATB Choral Octavo

    By Heather Sorenson

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  • Fanfare And Concertato On "I Stand Amazed In The Presence" (arr. Jon Paige Brad Nix): SATB Choral Octavo

    Fanfare And Concertato On "I Stand Amazed In The Presence" (arr. Jon Paige Brad Nix): SATB Choral Octavo

    Fanfare And Concertato On "I Stand Amazed In The Presence" (arr. Jon Paige Brad Nix): SATB Choral Octavo

    By Charles H. Gabriel / Arranged by Brad Nix / Arranged by Jon Paige

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  • Keep On Ringin' The Bell!: SATB Choral Octavo

    Keep On Ringin' The Bell!: SATB Choral Octavo

    Keep On Ringin' The Bell!: SATB Choral Octavo

    By Brad Nix

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  • Well Done (arr. Joseph M. Martin): SATB Choral Octavo

    Well Done (arr. Joseph M. Martin): SATB Choral Octavo

    Well Done (arr. Joseph M. Martin): SATB Choral Octavo

    As performed by The Afters / Arranged by Joseph M. Martin

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  • O Holy Night (A Gospel Setting): SATB Choral Octavo

    O Holy Night (A Gospel Setting): SATB Choral Octavo

    O Holy Night (A Gospel Setting): SATB Choral Octavo

    By Adolphe Adam / Arranged by Tim Harbold

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  • Hark! The Herald Angels Sing (arr. Heather Sorenson): SATB Choral Octavo

    Hark! The Herald Angels Sing (arr. Heather Sorenson): SATB Choral Octavo

    Hark! The Herald Angels Sing (arr. Heather Sorenson): SATB Choral Octavo

    By Felix Mendelssohn / By Charles Wesley / Arranged by Heather Sorenson

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About This Collection

Description

This collection of 5,195 sacred choral titles spans spiritual traditions, seasonal celebrations, and works at all difficulty levels for choirs of any size. You'll find everything from beloved spirituals like Alice Parker's Hark, I Hear the Harps Eternal and Robert T. Gibson's Down by the Riverside to contemporary sacred works and holiday arrangements. The majority of titles are SATB and mixed voicing, with strong representation in SAB and 2-part options for younger or smaller ensembles. Many include recorded accompaniment tracks, making them practical for rehearsal and performance.

Highlights

Teachers return consistently to Alice Parker's Hark, I Hear the Harps Eternal, John Leavitt's Festival Sanctus, and Undine S. Moore's Daniel, Daniel, Servant of the Lord. Andy Beck's Betelehemu has become a staple in mixed-voicing choirs, while Greg Gilpin's Follow the Drinking Gourd continues to draw singers and audiences alike. These titles represent the kind of music that works reliably in rehearsal and performance across grade levels and choir sizes.

Recently added

Recent additions include Roxanna Panufnik's Glory be to the World and Judith Bingham's Epiphany for SATB Choir and Organ, both published in May 2026. Thomas A. Dorsey's Precious Lord, Take My Hand and Alexander Tcherepnin's Six Liturgical Chants, No. 5: Transfiguration round out the latest releases.

Composer & Author Spotlight

Jay Althouse has over 800 works in print and brings a music educator's sensibility to his compositions. With degrees in music education and curriculum design from Indiana University of Pennsylvania, he spent eight years working in music publishing before establishing himself as a composer who writes for choirs at every level. His accessibility and understanding of what rehearsal actually requires make his work a natural choice for busy directors.

Sally K. Albrecht is known especially for choral movement and has been an ASCAP award recipient since 1987. Over three decades as director of school choral programs, she conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center. Her ability to combine solid musicianship with engaging, teachable arrangements shows why Sing Alleluia, Clap Your Hands remains popular.

Andy Beck serves as Director of Choral Publications at Alfred Music and has written over 450 choral works and vocal resources in print. Beyond compositions, he's the author of method books like Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique. His understanding of both composition and pedagogy gives his arrangements like Betelehemu an edge in the rehearsal room.

Greg Gilpin is an ASCAP award-winning composer and conductor who has led performances at Carnegie Hall, Lincoln Center, the Sydney Opera House, and Royal Festival Hall. He brings the perspective of someone who conducts at the highest levels while remaining deeply connected to the choral music teachers and students who perform his work most often.