Sacred Choral Digital Sheet Music Downloads
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Christmas Kum Ba Ya: SAB Choral Octavo -
Gloria: SAB Choral Octavo 
Gloria: SAB Choral Octavo
Gloria: SAB Choral Octavo
Music by Antonio Vivaldi / arr. Russell Robinson
Digital Download$2.25Sale price $2.25 Regular price -
Bring a Torch, Jeanette, Isabella: SSA Choral Octavo -
Who Will Be a Witness?: 2-Part Choral Octavo -
Hallelujah, Get Happy! (A Medley): SAB Choral Octavo -
A Psalm: 2-Part Choral Octavo -
Gloria (from Heiligmesse): 3-Part Mixed Choral Octavo -
The Music-Makers: SAB Choral Octavo -
Laudate Dominum: SAB / 3-Part Mixed Choral Octavo -
Veni Jesu: 3-Part Mixed, a cappella Choral Octavo -
Gloria (from Missa Solemnis, K. 139): SATB Choral Octavo -
Agnus Dei: 3-Part Mixed Choral Octavo -
Battle of Jericho: SAB Choral Octavo -
One Candle: 2-Part Choral Octavo -
You Must Have That True Religion: SATB Choral Octavo 
You Must Have That True Religion: SATB Choral Octavo
You Must Have That True Religion: SATB Choral Octavo
Spiritual / arr. Roland Carter
Digital Download$2.25Sale price $2.25 Regular price -
Dry Bones: SAB Choral Octavo -
Bring a Torch, Jeanette, Isabella: SATB Choral Octavo -
Still, Still, Still: SSA Choral Octavo -
For the Beauty of the Earth: SATB Choral Octavo -
Betelehemu: TTB Choral Octavo -
Dona Nobis Pacem (from Missa in C (Credo Mass), K. 257): SATB Choral Octavo -
Gloria Deo: SATB, a cappella Choral Octavo -
Glorious Peace: SSAA, a cappella Choral Octavo -
Suo Gân: 3-Part Mixed/SAB Choral Octavo
About This Collection
Description
This collection of 1,842 sacred choral titles spans spirituals, hymns, masterwork arrangements, and multicultural works suited to choirs at all levels. You'll find staples like Alice Parker's "Hark, I Hear the Harps Eternal," John Leavitt's "Festival Sanctus," and Robert T. Gibson's "Down by the Riverside" alongside carefully curated arrangements from composers with deep roots in American choral tradition. The majority of titles sit in the moderate range, with recorded accompaniments available for nearly half the catalog. Whether you need sacred repertoire for Christmas, spirituals for spring concert, or a cappella pieces for competition, this collection reflects what choral directors have relied on for years.
Highlights
Alice Parker's "Hark, I Hear the Harps Eternal" remains the top seller, drawing from her celebrated Parker/Shaw tradition of American folksong and spiritual settings. John Leavitt's "Festival Sanctus" in both SATB and SAB voicings keeps teachers coming back for accessible, liturgical writing. Robert T. Gibson's arrangements of traditional songs like "Down by the Riverside" and "Siyahamba" (arranged by Victor C. Johnson) offer flexible voicing options for mixed-ability choirs.
Recently added
Recent additions include Thomas A. Dorsey's "Precious Lord, Take My Hand" and Robert T. Gibson's two-part and three-part versions of "Kum Ba Yah," all released in spring 2026. Jack Zaino's "Kyrie" for SATB and Victor C. Johnson's "Confitemini Domino" for TB also arrived late 2025, expanding options for specific voicings and liturgical moments.
Composer & Author Spotlight
Jay Althouse brings a music education background (B.S. and M.Ed. from Indiana University of Pennsylvania) and insider knowledge of educational publishing. His 256 titles in this collection include "Bright Morning Stars," and his work is known for accessibility across all choir levels. His compositions balance musicality with singability, a hallmark of prolific educational composers.
Alice Parker studied composition and conducting at Smith College and Juilliard, where she began a lifelong association with Robert Shaw. Her "Hark, I Hear the Harps Eternal" tops the bestseller list, representing the enduring Parker/Shaw tradition of American folksong, hymn, and spiritual settings that remain core repertoire for choruses worldwide.
Sally K. Albrecht combines composition with conducting and clinical work, earning annual ASCAP Special Music Awards since 1987. She's particularly known for choral movement integration and has conducted honor choirs across major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Her 600+ choral publications reflect decades of working directly with singers of all levels.
Greg Gilpin is an ASCAP award-winning composer and conductor who has led performances at Carnegie Hall, Lincoln Center, and venues worldwide including the Sydney Opera House and Royal Festival Hall in London. His arrangements appear frequently on festival and competition lists, and his "Follow the Drinking Gourd" reflects his gift for making folk and spiritual material accessible without sacrificing artistic integrity.