Piano/Vocal Digital Sheet Music Downloads

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About This Collection

Description

This collection brings together piano and vocal sheet music across pop, rock, jazz, standards, and sacred repertoire. You'll find everything from classic Journey arrangements like Don't Stop Believin' and Faithfully (both with chords) to film scores by Hans Zimmer and Howard Shore. Whether you're teaching beginners working through five-finger pieces or intermediate students tackling fuller arrangements, the range spans from elementary through late intermediate levels.

Highlights

Teachers return often for Journey's catalog, particularly Don't Stop Believin', Faithfully, and Separate Ways, all arranged with piano, vocal line, and chord symbols. Hans Zimmer's instrumental piano arrangements (Ah, Putrefaction and It's So Overt It's Covert) appeal to students ready for more sophisticated harmonic language. Jim Brickman's Over the Rainbow and Cole Porter's Ev'ry Time We Say Goodbye represent the standard and jazz end of the collection.

Recently added

New additions include Aqua by Jacki Alexander, The Lumbering Bear by Joy Morin, Bluebell Blues by Rob Colley, Stately Swan by Lynne German, July Blue by Glafkos Kontemeniotis, and Homage to Oscar Peterson by Sheila Clagg Cathey, all published in March 2026.

Composer Spotlight

Jim Brickman established himself as the best-selling solo pianist of his generation by crafting a distinctive style rooted in emotional storytelling. His work, including Over the Rainbow in this collection, centers on music that soothes and inspires rather than dazzles technically, making his arrangements accessible across levels.

Cole Porter's standard Ev'ry Time We Say Goodbye remains a teaching staple for students learning sophisticated harmonic movement and jazz phrasing. The Rolling Stones (through Mick Jagger and Keith Richards) bring a different energy with Dandelion, a track that shows how rock composition translates to piano and vocal formats.

Howard Shore's film music, represented here by An Unexpected Party, demonstrates how orchestral thinking adapts to the piano, offering students insight into scoring and arrangement technique.