Musica Baltica

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  • The Earthly Rose for SSATTB Choir: SSATTB Choral Octavo

    The Earthly Rose for SSATTB Choir: SSATTB Choral Octavo

    The Earthly Rose for SSATTB Choir: SSATTB Choral Octavo

    By Eriks Ešenvalds / Words by Emma Jones (1979)

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  • Rivers of Light for SSAATTBBB Choir: SSAATTBBB Choral Octavo

    Rivers of Light for SSAATTBBB Choir: SSAATTBBB Choral Octavo

    Rivers of Light for SSAATTBBB Choir: SSAATTBBB Choral Octavo

    By Eriks Ešenvalds / Words by Candace Savage, Kari Kaila, Charles Francis Hall, William Reed and explorer Fridtjof Nansen and Sami folksongs.

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  • Long Road (Upper Voices) for SSAAA Choir: SSAAA Choral Octavo

    Long Road (Upper Voices) for SSAAA Choir: SSAAA Choral Octavo

    Long Road (Upper Voices) for SSAAA Choir: SSAAA Choral Octavo

    By Eriks Ešenvalds / Words by Pauline Barda (1890-1983)

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  • Gloria from Folk Mass (Mixed Voices): Choral Octavo

    Gloria from Folk Mass (Mixed Voices): Choral Octavo

    Gloria from Folk Mass (Mixed Voices): Choral Octavo

    By Laura Jekabsone/Words Liturgical Text

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  • Credo from Folk Mass (Mixed Voices): Choral Octavo

    Credo from Folk Mass (Mixed Voices): Choral Octavo

    Credo from Folk Mass (Mixed Voices): Choral Octavo

    By Laura Jekabsone/Words Liturgical Text

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  • Sanctus from Folk Mass (Mixed Voices): Choral Octavo

    Sanctus from Folk Mass (Mixed Voices): Choral Octavo

    Sanctus from Folk Mass (Mixed Voices): Choral Octavo

    By Laura Jekabsone/Words Liturgical Text

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  • Laudis mani aprunaja (People Talked Behind My Back) (Mixed Voices): Choral Octavo

    Laudis mani aprunaja (People Talked Behind My Back) (Mixed Voices): Choral Octavo

    Laudis mani aprunaja (People Talked Behind My Back) (Mixed Voices): Choral Octavo

    By Laura Jekabsone/Words Latvian folksong texts

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  • Kyrie from Folk Mass (Upper Voices): Choral Octavo

    Kyrie from Folk Mass (Upper Voices): Choral Octavo

    Kyrie from Folk Mass (Upper Voices): Choral Octavo

    By Laura Jekabsone/Words Liturgical Text

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  • Benedictus from Folk Mass (Upper Voices): Choral Octavo

    Benedictus from Folk Mass (Upper Voices): Choral Octavo

    Benedictus from Folk Mass (Upper Voices): Choral Octavo

    By Laura Jekabsone/Words Liturgical Text

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  • Elevation (Mixed Voices): Choral Octavo

    Elevation (Mixed Voices): Choral Octavo

    Elevation (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Charles Baudelaire (1821-1867)/Translators Piaget Shanks Lewis/William Aggeler

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  • Paper Boats (Upper Voices): Choral Octavo

    Paper Boats (Upper Voices): Choral Octavo

    Paper Boats (Upper Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Rabindranath Tagore (1861-1941)

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  • God, You Made All Things For Singing (Mixed Voices): Choral Octavo

    God, You Made All Things For Singing (Mixed Voices): Choral Octavo

    God, You Made All Things For Singing (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Thomas H. Troeger (1945-2022)

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  • This Little Flower (Mixed Voices): Choral Octavo

    This Little Flower (Mixed Voices): Choral Octavo

    This Little Flower (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Rabindranath Tagore (1861-1941)

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  • Stille Nacht (Mixed Voices): Choral Octavo

    Stille Nacht (Mixed Voices): Choral Octavo

    Stille Nacht (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Franz Xaver Gruber (1787-1863)

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  • Set Me As A Seal (Mixed Voices): Choral Octavo

    Set Me As A Seal (Mixed Voices): Choral Octavo

    Set Me As A Seal (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words Song of Solomon 8:6-7

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  • Silent Night (Mixed Voices): Choral Octavo

    Silent Night (Mixed Voices): Choral Octavo

    Silent Night (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Franz Xaver Gruber (1787-1863)

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  • A Lullaby (Mixed Voices): Choral Octavo

    A Lullaby (Mixed Voices): Choral Octavo

    A Lullaby (Mixed Voices): Choral Octavo

    By Eriks Ešenvalds/Words by Eugene Field (1850-1895)

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About This Collection

Description

Musica Baltica brings together choral and instrumental works rooted in Baltic musical traditions, featuring both sacred and secular pieces that range from folk arrangements to contemporary compositions. Eriks Ešenvalds dominates the collection with settings like Stars and Only in Sleep, both scored for expanded octavo voicings that give singers rich harmonic textures. You'll find Laura Jekabsone's oratorio-scale Father Thunder alongside smaller sacred works, folksong arrangements, and pieces that draw on Latvian literary and cultural sources.

Highlights

Teachers keep coming back to Eriks Ešenvalds's Stars, a popular SSAATTBB setting that anchors this collection, along with his equally well-adopted Only in Sleep and Lux Aeterna. Laura Jekabsone's Father Thunder offers more substantial choral works including oratorios for ensemble settings. Selga Mence's Blacksmith Forges in the Sky and Northern Lights provide folksong arrangements that work well for concert programming.

Recently added

Recent additions include Eriks Ešenvalds's Legend of the Walled-in Woman and Leaves, both SSAATTBB settings released in early 2026, plus Rihards Dubra's Hail, Queen of Heaven. Laura Jekabsone's Zvidzi, zvidzi, sermais zirdzen offers an upper-voices option for younger or developing ensembles.

Composer Spotlight

Eriks Ešenvalds has become the voice most teachers associate with this collection, building a catalog of choral works that favor expanded voicings and a modern harmonic language grounded in Baltic tradition. His settings move fluidly between sacred texts and literary or folkloric sources, making his pieces work equally well in worship and concert settings.

Laura Jekabsone brings substantial compositional scope to the collection, particularly through Father Thunder, which offers directors looking for ambitious, multi-movement works that can anchor a concert or festival program. Her arrangements of traditional Latvian songs add accessible options for smaller or developing ensembles.

Rihards Dubra contributes both sacred and concert works to the catalog, with a compositional approach that balances accessible sonorities with harmonic depth. His settings tend toward traditional voicings (SATB and SSATB), making them practical choices for directors working with standard choir configurations.