LudwigMasters Vocal & Choral Sheet Music

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  • Bist Du Bei Mir: Choral Octavo

    Bist Du Bei Mir: Choral Octavo

    Bist Du Bei Mir: Choral Octavo

    By Johann Sebastian Bach / arr. Emily Crocker

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  • Tenebrae Factae Sunt: Choral Octavo

    Tenebrae Factae Sunt: Choral Octavo

    Tenebrae Factae Sunt: Choral Octavo

    By Michael Haydn

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  • Guide Me Oh Thou Great Jehovah: Choral Octavo

    Guide Me Oh Thou Great Jehovah: Choral Octavo

    Guide Me Oh Thou Great Jehovah: Choral Octavo

    By Stan Pethel

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  • Round The Glory Manger: Choral Octavo

    Round The Glory Manger: Choral Octavo

    Round The Glory Manger: Choral Octavo

    By A Hardwicke

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  • Messe Basse: Choral Octavo

    Messe Basse: Choral Octavo

    Messe Basse: Choral Octavo

    By Gabriel-Urbain Faure / arr. William Sisson

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  • Arise Shine for SAB Chorus: Choral Octavo

    Arise Shine for SAB Chorus: Choral Octavo

    Arise Shine for SAB Chorus: Choral Octavo

    By Robert Lau

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  • Verbum Caro Factum Est: Choral Octavo Instrumental Parts

    Verbum Caro Factum Est: Choral Octavo Instrumental Parts

    Verbum Caro Factum Est: Choral Octavo Instrumental Parts

    By Hans Leo Hassler / arr. Clifford G. Richter

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  • Chanson Perpetuelle, Op. 37: High Voice, Solo with Piano, Vocal Score

    Chanson Perpetuelle, Op. 37: High Voice, Solo with Piano, Vocal Score

    Chanson Perpetuelle, Op. 37: High Voice, Solo with Piano, Vocal Score

    By Ernest Chausson / French text by Charles Cros

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  • Cantata No. 146: Wir muessen durch viel Truebsal in das Reich Gottes eingehen, BWV 146: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 146: Wir muessen durch viel Truebsal in das Reich Gottes eingehen, BWV 146: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 146: Wir muessen durch viel Truebsal in das Reich Gottes eingehen, BWV 146: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    By Johann Sebastian (J.S.) Bach, ed./arr. by Paul Waldersee/ Texts from Acts 14: 2 (No. 2), an anonymous author (Nos. 3-7), and Gregorius Richter (No. 8). German text.

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  • Chants D'Auvergne, Vol. 2: High Voice, Collections, VS (LUDWIGMASTERS)

    Chants D'Auvergne, Vol. 2: High Voice, Collections, VS (LUDWIGMASTERS)

    Chants D'Auvergne, Vol. 2: High Voice, Collections, VS (LUDWIGMASTERS)

    By Joseph Canteloube/ Text in French and the Occitan region dialect, Auvergnat.

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  • Album of Songs, Vol. 1: Two More Songs: Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 1: Two More Songs: Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 1: Two More Songs: Low Voice, Solo with Piano, Vocal Score

    By Cecile Chaminade/ French text with English translations by Clifton Bingham.

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  • Album of Songs, Vol. 2: Seventeen Songs, Book 2 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 2 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 2 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    By Cecile Chaminade/ French text with English translations by Clifton Bingham.

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  • Album of Songs, Vol. 2: Seventeen Songs, Book 1 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 1 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 1 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    By Cecile Chaminade/ French text with English translations by Clifton Bingham.

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  • Album of Songs, Vol. 2: Seventeen Songs, Book 3 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 3 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    Album of Songs, Vol. 2: Seventeen Songs, Book 3 (17 Songs): Low Voice, Solo with Piano, Vocal Score

    By Cecile Chaminade/ French text with English translations by Clifton Bingham.

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  • Ezekiel Saw the Wheel: Mixed Chorus, SATB, Choral Score

    Ezekiel Saw the Wheel: Mixed Chorus, SATB, Choral Score

    Ezekiel Saw the Wheel: Mixed Chorus, SATB, Choral Score

    By Traditional, arr. by Arthur Hardwicke

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  • Nigra Sum (I Am Black) SSA: Choral Octavo

    Nigra Sum (I Am Black) SSA: Choral Octavo

    Nigra Sum (I Am Black) SSA: Choral Octavo

    By Pablo Casals

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  • Annie Laurie for Treble Chorus: Treble Chorus, SSAA, Choral Score

    Annie Laurie for Treble Chorus: Treble Chorus, SSAA, Choral Score

    Annie Laurie for Treble Chorus: Treble Chorus, SSAA, Choral Score

    By Alicia Anne Scott, arr. Arthur Frackenpohl, Text by William Douglas

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  • Ave Maria: Mixed Chorus, SATB, Chorus (LUDWIGMASTERS)

    Ave Maria: Mixed Chorus, SATB, Chorus (LUDWIGMASTERS)

    Ave Maria: Mixed Chorus, SATB, Chorus (LUDWIGMASTERS)

    By Tomas Luis de Victoria, ed. Ronald Herder

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  • Three Chorales: Brass Duo & Ensemble, Choir, Conductor Score & Parts

    Three Chorales: Brass Duo & Ensemble, Choir, Conductor Score & Parts

    Three Chorales: Brass Duo & Ensemble, Choir, Conductor Score & Parts

    By Johann Christian (J.C.) Bach/ Carl Ludwig Bach/ Johann Sebastian Bach (J.S.), ed./arr. by Paul W. Whear

    Grade: 2

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  • L'amico Fritz: Opera in Three Acts: Light Opera, Keyboard Accompaniment, Vocal Score

    L'amico Fritz: Opera in Three Acts: Light Opera, Keyboard Accompaniment, Vocal Score

    L'amico Fritz: Opera in Three Acts: Light Opera, Keyboard Accompaniment, Vocal Score

    By Pietro Mascagni, Libretto by Nicola Daspuro as P. Suardon

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  • The Barber of Seville (Il Barbiere di Siviglia, complete): Light Opera, Keyboard Accompaniment, Vocal Score

    The Barber of Seville (Il Barbiere di Siviglia, complete): Light Opera, Keyboard Accompaniment, Vocal Score

    The Barber of Seville (Il Barbiere di Siviglia, complete): Light Opera, Keyboard Accompaniment, Vocal Score

    By Gioachino Rossini, Italian libretto by Cesare Sterbini after the French comedy by Pierre Beaumarchais

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  • Gipsy Songs, Op. 55/ B. 104 (medium voice, transposed keys, critical edition): Medium Voice, Solo with Piano, Vocal Score

    Gipsy Songs, Op. 55/ B. 104 (medium voice, transposed keys, critical edition): Medium Voice, Solo with Piano, Vocal Score

    Gipsy Songs, Op. 55/ B. 104 (medium voice, transposed keys, critical edition): Medium Voice, Solo with Piano, Vocal Score

    By Antonín Dvorák, ed. Otakar Sourek, Text from poetry collection entitled "Gipsy Melodies" by Adolf Heyduk. Original Czech and German and English translations.

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  • Three Ulster Airs: Conductor Score & Parts

    Three Ulster Airs: Conductor Score & Parts

    Three Ulster Airs: Conductor Score & Parts

    By Hamilton Harty

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  • 15 Songs: Full Orchestra Conductor Score & Parts

    15 Songs: Full Orchestra Conductor Score & Parts

    15 Songs: Full Orchestra Conductor Score & Parts

    By Vincenzo Bellini

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About This Collection

Description

LudwigMasters Vocal & Choral Sheet Music brings together sacred and secular repertoire for choirs at every level, from grade 1.5 through grade 5. You'll find canonical works like Beethoven's Symphony No. 9 'Choral' alongside accessible arrangements of standards like Amazing Grace (Northern Version) by Sandy Valerio. The catalog spans SATB, SSA, SAB, and other voicings, with many titles available both a cappella and with keyboard or ensemble accompaniment. Whether you're programming a holiday concert, a festival set, or building your year-round choral library, this collection has serious depth.

Highlights

Teachers keep coming back to Nigra Sum (I Am Black) by Pablo Casals and A Christmas Finale by Noah Taylor, both popular standbys for mixed ensembles. Jackson Berkey's Magnificat from the Glory of His Majesty and God Be In My Head hold strong appeal for sacred programs, while John Stafford Smith's arrangement of The Star Spangled Banner with brass and keyboard gives concert programs a patriotic centerpiece.

Recently added

George M. Cohan's Patriotic Fantasy just arrived in multiple voicings (SATB, SAB, SSA, SA, and TTBB), all with keyboard accompaniment, giving you fresh patriotic options across your choir levels. Mozart's Thamos, King of Egypt also entered the catalog recently as a vocal score with choir and keyboard parts.

Composer Spotlight

Jackson Berkey contributes several strong titles to this collection, including Magnificat from the Glory of His Majesty and God Be In My Head, both accessible choices for groups working at intermediate levels. Amy Beach's Three Shakespeare Songs, Op. 37 offers art song repertoire with conductor score and parts, bringing solo vocal literature into ensemble settings. Vaclav Nelhybel's I'll Have My Love provides choral arranging that balances sophistication with singability for SA voicings. Cecile Chaminade's Album of Songs, Vol. 1 rounds out the standout voices here, offering solo vocal material that appeals to teachers building diverse programming.