Jazz & Standards Piano/Vocal Sheet Music

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  • Be My Somebody: Piano/Vocal/Guitar Sheet

    Be My Somebody: Piano/Vocal/Guitar Sheet

    Be My Somebody: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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    $5.99
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  • Best Friends, Right?: Piano/Vocal/Guitar Sheet

    Best Friends, Right?: Piano/Vocal/Guitar Sheet

    Best Friends, Right?: Piano/Vocal/Guitar Sheet

    As performed by Amy Winehouse

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  • C'est Magnifique: Piano/Vocal/Guitar Sheet

    C'est Magnifique: Piano/Vocal/Guitar Sheet

    C'est Magnifique: Piano/Vocal/Guitar Sheet

    As performed by Cole Porter

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  • Come Away With Me: Piano/Vocal/Guitar Sheet

    Come Away With Me: Piano/Vocal/Guitar Sheet

    Come Away With Me: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Don't Be Denied: Piano/Vocal/Guitar Sheet

    Don't Be Denied: Piano/Vocal/Guitar Sheet

    Don't Be Denied: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones / As performed by Neil Young

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  • How I Weep: Piano/Vocal/Guitar Sheet

    How I Weep: Piano/Vocal/Guitar Sheet

    How I Weep: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Little Room: Piano/Vocal/Guitar Sheet

    Little Room: Piano/Vocal/Guitar Sheet

    Little Room: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • My Dear Country: Piano/Vocal/Guitar Sheet

    My Dear Country: Piano/Vocal/Guitar Sheet

    My Dear Country: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Night And Day: Piano/Vocal/Guitar Sheet

    Night And Day: Piano/Vocal/Guitar Sheet

    Night And Day: Piano/Vocal/Guitar Sheet

    As performed by Landau Eugene Murphy Jr / As performed by Cole Porter

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  • Nightingale: Piano/Vocal/Guitar Sheet

    Nightingale: Piano/Vocal/Guitar Sheet

    Nightingale: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Not My Friend: Piano/Vocal/Guitar Sheet

    Not My Friend: Piano/Vocal/Guitar Sheet

    Not My Friend: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Once I Had A Laugh: Piano/Vocal/Guitar Sheet

    Once I Had A Laugh: Piano/Vocal/Guitar Sheet

    Once I Had A Laugh: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • Sleeping Wild: Piano/Vocal/Guitar Sheet

    Sleeping Wild: Piano/Vocal/Guitar Sheet

    Sleeping Wild: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones / As performed by Sarah Oda

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  • What Am I To You: Piano/Vocal/Guitar Sheet

    What Am I To You: Piano/Vocal/Guitar Sheet

    What Am I To You: Piano/Vocal/Guitar Sheet

    As performed by Norah Jones

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  • 'S Wonderful [Men's version]: Piano Vocal

    'S Wonderful [Men's version]: Piano Vocal

    'S Wonderful [Men's version]: Piano Vocal

    By George Gershwin / Edited by Richard Walters

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  • From This Moment On (from Kiss Me, Kate): Piano/Vocal/Guitar Sheet

    From This Moment On (from Kiss Me, Kate): Piano/Vocal/Guitar Sheet

    From This Moment On (from Kiss Me, Kate): Piano/Vocal/Guitar Sheet

    As performed by Cole Porter

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  • How Long Has This Been Going On? [Men's version]: Piano Vocal

    How Long Has This Been Going On? [Men's version]: Piano Vocal

    How Long Has This Been Going On? [Men's version]: Piano Vocal

    By George Gershwin / Edited by Richard Walters

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  • 'S Wonderful [Women's version]: Piano Vocal

    'S Wonderful [Women's version]: Piano Vocal

    'S Wonderful [Women's version]: Piano Vocal

    By George Gershwin / Edited by Richard Walters

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  • I Concentrate On You: Piano Vocal

    I Concentrate On You: Piano Vocal

    I Concentrate On You: Piano Vocal

    As performed by Steve Tyrell / As performed by Cole Porter

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  • How Long Has This Been Going On? [Women's version]: Piano Vocal

    How Long Has This Been Going On? [Women's version]: Piano Vocal

    How Long Has This Been Going On? [Women's version]: Piano Vocal

    By George Gershwin / Edited by Richard Walters

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  • I Got Plenty O' Nuttin': Piano/Vocal/Guitar Sheet

    I Got Plenty O' Nuttin': Piano/Vocal/Guitar Sheet

    I Got Plenty O' Nuttin': Piano/Vocal/Guitar Sheet

    As performed by George Gershwin / As performed by Ira Gershwin

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  • I Love Paris: Piano/Vocal/Guitar Sheet

    I Love Paris: Piano/Vocal/Guitar Sheet

    I Love Paris: Piano/Vocal/Guitar Sheet

    As performed by Cole Porter

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  • I Was Doing All Right: Piano/Vocal/Guitar Sheet

    I Was Doing All Right: Piano/Vocal/Guitar Sheet

    I Was Doing All Right: Piano/Vocal/Guitar Sheet

    As performed by George & Ira Gershwin / As performed by Ira Gershwin / As performed by George Gershwin

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  • I've Got You Under My Skin: Piano Vocal

    I've Got You Under My Skin: Piano Vocal

    I've Got You Under My Skin: Piano Vocal

    As performed by Steve Tyrell / As performed by Cole Porter

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About This Collection

Description

Jazz standards and Great American Songbook classics for piano and voice are here, rooted in the songs that shaped American music. You'll find Cole Porter's timeless melodies, Nat King Cole's sophisticated interpretations, and material perfect for late intermediate singers and pianists exploring this repertoire. Many titles include chord charts and recorded accompaniments, making them practical for both private study and performance.

Highlights

Teachers return often to Cole Porter: The Platinum Collection and Nat "King" Cole: Unforgettable for their breadth and accuracy. Vocal Complete: Female Voice Jazz Standards pairs sheet music with online audio, useful for singers building confidence in the idiom. Take Five by The Dave Brubeck Quartet and At Last by Harry Warren round out the standards every jazz pianist should know.

Recently added

Sheila Clagg Cathey's Homage to Oscar Peterson adds fresh interpretive material for pianists studying Peterson's harmonic language and touch.

Composer Spotlight

Cole Porter wrote some of the twentieth century's most durable melodies, and his Platinum Collection gathers his best work in a single resource. His sophisticated harmonies and witty lyrics define the Great American Songbook.

George Gershwin and Johnny Mercer represent two pillars of American song: Gershwin's instrumental brilliance and Mercer's lyrical craft. The Best of George Gershwin and Ira Gershwin shows why these compositions endure, while Mercer's Day In Day Out demonstrates his gift for memorable, singable lines.

Tony Bennett and Ray Charles brought interpretive depth to standards, each bending the form to their own artistry. Bennett's Don't Get Around Much Anymore exemplifies his phrasing and emotional directness; Ray Charles's approach to harmony and rhythm reshaped how singers approached the form.