Edwin F. Kalmus

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  • Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    By Wolfgang Amadeus Mozart

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  • Concerto for Oboe in F, GWV 324: String Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score & Parts

    Concerto for Oboe in F, GWV 324: String Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score & Parts

    Concerto for Oboe in F, GWV 324: String Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score & Parts

    By Christoph Graupner, ed./arr. by Alfred Kreutz

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  • Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score

    Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score

    Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score

    By Wolfgang Amadeus Mozart

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  • In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score

    In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score

    In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score

    By Mily Alexeyevich Balakirev

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  • Il Signor Bruschino (complete opera): Light Opera, Orchestra Accompaniment, Conductor Score

    Il Signor Bruschino (complete opera): Light Opera, Orchestra Accompaniment, Conductor Score

    Il Signor Bruschino (complete opera): Light Opera, Orchestra Accompaniment, Conductor Score

    By Gioachino Rossini/ Libretto by Giuseppe Maria Foppa based on the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry.

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  • Fantasie in G minor, Op. 24: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Fantasie in G minor, Op. 24: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Fantasie in G minor, Op. 24: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    By Josef Suk

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  • Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Solo Violin Part

    Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Solo Violin Part

    Concerto for Violin No. 2 in D, K. 211: Full Orchestra, Solo Strings with Ensemble, Solo Violin Part

    By Wolfgang Amadeus Mozart

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  • Une Nuit a Lisbonne, Op. 63 (A Night in Lisbon): Full Orchestra, Conductor Score & Parts

    Une Nuit a Lisbonne, Op. 63 (A Night in Lisbon): Full Orchestra, Conductor Score & Parts

    Une Nuit a Lisbonne, Op. 63 (A Night in Lisbon): Full Orchestra, Conductor Score & Parts

    By Camille Saint-Saëns

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  • Des Knaben Wunderhorn, No. 1: Der Schildwache Nachtlied, GMW 21, low voice (B-flat, original key): Low Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 1: Der Schildwache Nachtlied, GMW 21, low voice (B-flat, original key): Low Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 1: Der Schildwache Nachtlied, GMW 21, low voice (B-flat, original key): Low Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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  • Des Knaben Wunderhorn, No. 8: Lied des Verfolgten im Turm, GMW 34, high voice (D minor, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 8: Lied des Verfolgten im Turm, GMW 34, high voice (D minor, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 8: Lied des Verfolgten im Turm, GMW 34, high voice (D minor, original key): High Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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  • Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score

    Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score

    Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler, ed./arr. by Max Puttmann/ Text by Friedrich Rückert

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  • Gesu Bambino (orchestration for low voice, D): Low Voice, Orchestra Accompaniment, Full Score

    Gesu Bambino (orchestration for low voice, D): Low Voice, Orchestra Accompaniment, Full Score

    Gesu Bambino (orchestration for low voice, D): Low Voice, Orchestra Accompaniment, Full Score

    By Pietro Yon, arr. William Ryden

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  • Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score & Parts

    Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score & Parts

    Musical Joke, A, K. 522 (Ein Musikalischer Spass): Full Orchestra, Conductor Score & Parts

    By Wolfgang Amadeus Mozart

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  • Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score

    Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score

    Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score

    By Domenico Scarlatti, ed./arr. by Vincenzo Tommasini

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  • Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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  • Mefistofele, IAB 1: Prologue in Heaven (complete): Serious Opera, Orchestra Accompaniment, Full Score

    Mefistofele, IAB 1: Prologue in Heaven (complete): Serious Opera, Orchestra Accompaniment, Full Score

    Mefistofele, IAB 1: Prologue in Heaven (complete): Serious Opera, Orchestra Accompaniment, Full Score

    By Arrigo Boito, Italian libretto by the composer after the poem by Goethe.

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  • Symphony No. 60 in C 'Il Distratto' (Hob. I:60; critical ed.): Full Orchestra, Conductor Score & Parts

    Symphony No. 60 in C 'Il Distratto' (Hob. I:60; critical ed.): Full Orchestra, Conductor Score & Parts

    Symphony No. 60 in C 'Il Distratto' (Hob. I:60; critical ed.): Full Orchestra, Conductor Score & Parts

    By Franz Joseph Haydn, ed./arr. by Howard Chandler Robbins Landon

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  • Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score

    Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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  • Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, low voice (B-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Gustav Mahler, ed./arr. by Max Puttmann/ Text by Friedrich Rückert

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  • Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score & Parts

    Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score & Parts

    Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet: Full Orchestra, Conductor Score & Parts

    By Domenico Scarlatti, ed./arr. by Vincenzo Tommasini

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  • In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score & Parts

    In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score & Parts

    In Bohemia (Overture on 3 Czech Themes; Symphonic Poem; 1905 version): Full Orchestra, Conductor Score & Parts

    By Mily Alexeyevich Balakirev

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  • Chandos Anthem No. 1: O Be Joyful in the Lord, HWV 246 (Chandos Jubilate; Chrysander): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Chandos Anthem No. 1: O Be Joyful in the Lord, HWV 246 (Chandos Jubilate; Chrysander): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Chandos Anthem No. 1: O Be Joyful in the Lord, HWV 246 (Chandos Jubilate; Chrysander): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By George Frideric Handel, ed./arr. by Friedrich Chrysander/ Text from Psalm 100. German and English.

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  • Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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  • Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Des Knaben Wunderhorn, No. 2: Verlorene Mueh', GMW 22, high voice (A, original key): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Gustav Mahler/ Folktale texts, as published by Achim von Arnim and Clemens Brentano

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About This Collection

Description

The Edwin F. Kalmus collection contains nearly 5,000 titles drawn from the standard orchestral and choral repertoire, with particular strength in full orchestra scores and parts. Teachers and conductors rely on this catalog for canonical works by Mozart, Verdi, Debussy, and Schubert. You'll find complete scores, orchestral parts, vocal scores, and choral octavos across masterworks, operas, sacred music, and light concert fare, from Grade 2 through Grade 6 difficulty.

Highlights

Teachers keep coming back to Verdi's Nabucco, Part III: Va pensiero, which has been consistently popular for choral performance. For holiday programs, Arthur Harris's We Wish You a Merry Christmas and O Tannenbaum remain reliable standbys. Gershwin's O Land Of Mine, America and Schubert's Mass No. 2 in G round out the core titles driving adoption across school and community ensembles.

Recently added

Recent additions include the Raymonda Suite by Glazunov, Richard Hayman's When the Saints Go Marching In, and Puccini's Turandot (Alfano II Revised Completion) with vocal score. Tchaikovsky's Fatum and Strauss's Symphonia Domestica also arrived as conductor scores for orchestral programs.

Composer & Author Spotlight

Wolfgang Amadeus Mozart dominates the collection with 269 titles spanning cantatas, oratorios, and masses. His work appears frequently in school and community concerts, particularly the Messiah Part II Hallelujah arrangement. Giuseppe Verdi's 152 titles anchor the opera and choral sections, with Nabucco, Part III among the most performed excerpts in American high schools and universities. Antonín Dvorák's 142 titles include beloved works like the Serenade in E for Strings, a staple of string orchestra programs at multiple grade levels. Felix Mendelssohn's 149 titles round out the classical core, offering accessible yet substantial works for both choir and orchestra.