Edwin F. Kalmus

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  • Good King Wenceslas [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    Good King Wenceslas [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    Good King Wenceslas [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    By Traditional/ Folk, ed./arr. by Steve Cohen

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  • O Little Town of Bethlehem [orchestration for high voice, G]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    O Little Town of Bethlehem [orchestration for high voice, G]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    O Little Town of Bethlehem [orchestration for high voice, G]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By, ed./arr. by William Ryden/ Text by Phillips Brooks

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  • Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, low voice (D-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, low voice (D-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, low voice (D-flat, transposed): Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Gustav Mahler/ Text by Friedrich Rückert

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  • Good King Wenceslas [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    Good King Wenceslas [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    Good King Wenceslas [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    By Traditional/ Folk, ed./arr. by Steve Cohen

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  • Stille Nacht (Silent Night) [orchestration for low voice, B-flat]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Stille Nacht (Silent Night) [orchestration for low voice, B-flat]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Stille Nacht (Silent Night) [orchestration for low voice, B-flat]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Franz Gruber, ed./arr. by Steve Cohen/ Text by Joseph Mohr. English translation.

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  • It Came Upon a Midnight Clear [orchestration for low voice, A-flat]: Low Voice, Orchestra Accompaniment, Conductor Score

    It Came Upon a Midnight Clear [orchestration for low voice, A-flat]: Low Voice, Orchestra Accompaniment, Conductor Score

    It Came Upon a Midnight Clear [orchestration for low voice, A-flat]: Low Voice, Orchestra Accompaniment, Conductor Score

    By Richard Storrs Willis, ed./arr. by William Ryden/ Text by Edmund Hamilton Sears written in 1849, first published in 1850, Boston: The Christian Register

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  • Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score

    By Traditional/ Folk, ed./arr. by William Ryden

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  • It Came Upon a Midnight Clear [orchestration for high voice, C]: High Voice, Orchestra Accompaniment, Conductor Score

    It Came Upon a Midnight Clear [orchestration for high voice, C]: High Voice, Orchestra Accompaniment, Conductor Score

    It Came Upon a Midnight Clear [orchestration for high voice, C]: High Voice, Orchestra Accompaniment, Conductor Score

    By Richard Storrs Willis, ed./arr. by William Ryden/ Text by Edmund Hamilton Sears written in 1849, first published in 1850, Boston: The Christian Register

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  • Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Keyboard Accompaniment, VS

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Keyboard Accompaniment, VS

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Keyboard Accompaniment, VS

    By Traditional/ Folk, ed./arr. by William Ryden

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  • La Boutique Fantasque (The Fantastic Toyshop) - Selection [Rossini piano works arranged by Respighi, re-orchestrated by Carr]: Full Orchestra, Conductor Score & Parts

    La Boutique Fantasque (The Fantastic Toyshop) - Selection [Rossini piano works arranged by Respighi, re-orchestrated by Carr]: Full Orchestra, Conductor Score & Parts

    La Boutique Fantasque (The Fantastic Toyshop) - Selection [Rossini piano works arranged by Respighi, re-orchestrated by Carr]: Full Orchestra, Conductor Score & Parts

    By Gioachino Rossini, ed./arr. by Ottorino Respighi/ Howard Carr

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  • Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Orchestra Accompaniment, Conductor Score

    By Franz Gruber, ed./arr. by Steve Cohen/ Text by Joseph Mohr. English translation.

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  • Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score & Parts

    Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score & Parts

    Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score & Parts

    By Richard Wagner, ed./arr. by Wouter Hutschenruyter

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  • Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Keyboard Accompaniment, VS

    Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Keyboard Accompaniment, VS

    Stille Nacht (Silent Night) [orchestration for high voice, D-flat]: High Voice, Keyboard Accompaniment, VS

    By Franz Gruber, ed./arr. by Steve Cohen/ Text by Joseph Mohr. English translation.

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  • Jingle Bells [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Jingle Bells [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Jingle Bells [orchestration for high voice, B-flat]: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By James Pierpont, ed./arr. by Steve Cohen

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    $80.00
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  • Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    Twelve Days of Christmas, The [orchestration for low voice, F]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Traditional/ Folk, ed./arr. by William Ryden

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  • St. Paul's Suite for String Orchestra, Op. 29/2; H118: String Orchestra, Oversized Score

    St. Paul's Suite for String Orchestra, Op. 29/2; H118: String Orchestra, Oversized Score

    St. Paul's Suite for String Orchestra, Op. 29/2; H118: String Orchestra, Oversized Score

    By Gustav Holst

    Grade: 4

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  • Sarabande & Cortege: Zwei studien zu Doktor Faust, Op. 51/BV 282 (Two Studies for Doktor Faust): Full Orchestra, Conductor Score & Parts

    Sarabande & Cortege: Zwei studien zu Doktor Faust, Op. 51/BV 282 (Two Studies for Doktor Faust): Full Orchestra, Conductor Score & Parts

    Sarabande & Cortege: Zwei studien zu Doktor Faust, Op. 51/BV 282 (Two Studies for Doktor Faust): Full Orchestra, Conductor Score & Parts

    By Ferruccio Busoni

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  • Away in a Manger [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    Away in a Manger [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    Away in a Manger [orchestration for low voice, G]: Low Voice, Orchestra Accompaniment, Conductor Score

    By James Ramsey Murray, ed./arr. by Steve Cohen/ Anonymous text, which is sometimes attributed to Martin Luther

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  • Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score

    Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score

    Rheingold, Das: Scene IV: Einzug der Gotter in Walhall (Entry of the Gods into Valhalla; Hutschenruyter arrangement): Full Orchestra, Conductor Score

    By Richard Wagner, ed./arr. by Wouter Hutschenruyter

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  • Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Conductor Score & Parts

    Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Conductor Score & Parts

    Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Conductor Score & Parts

    By Emmanuel Chabrier, ed./arr. by Otto Langey

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  • Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Condensed Score

    Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Condensed Score

    Roi Malgre Lui, Le: Danse Slave (Langey): Salon/ Theater Orchestra, Condensed Score

    By Emmanuel Chabrier, ed./arr. by Otto Langey

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  • Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score

    Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score

    Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score

    By Walter S. Hartley

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  • Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Soli Parts

    Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Soli Parts

    Quartet Concerto for SATB Saxophones and Orchestra: Full Orchestra, Solo Woodwind(s) with Ensemble, Soli Parts

    By Walter S. Hartley

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  • Duex Melodies Hebraiques: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Duex Melodies Hebraiques: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Duex Melodies Hebraiques: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Maurice Ravel/ Text from Jewish prayers in French and in Aramaic (Kaddisch) and Yiddish (L'énigme éternelle)

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About This Collection

Description

The Edwin F. Kalmus collection contains nearly 5,000 titles drawn from the standard orchestral and choral repertoire, with particular strength in full orchestra scores and parts. Teachers and conductors rely on this catalog for canonical works by Mozart, Verdi, Debussy, and Schubert. You'll find complete scores, orchestral parts, vocal scores, and choral octavos across masterworks, operas, sacred music, and light concert fare, from Grade 2 through Grade 6 difficulty.

Highlights

Teachers keep coming back to Verdi's Nabucco, Part III: Va pensiero, which has been consistently popular for choral performance. For holiday programs, Arthur Harris's We Wish You a Merry Christmas and O Tannenbaum remain reliable standbys. Gershwin's O Land Of Mine, America and Schubert's Mass No. 2 in G round out the core titles driving adoption across school and community ensembles.

Recently added

Recent additions include the Raymonda Suite by Glazunov, Richard Hayman's When the Saints Go Marching In, and Puccini's Turandot (Alfano II Revised Completion) with vocal score. Tchaikovsky's Fatum and Strauss's Symphonia Domestica also arrived as conductor scores for orchestral programs.

Composer & Author Spotlight

Wolfgang Amadeus Mozart dominates the collection with 269 titles spanning cantatas, oratorios, and masses. His work appears frequently in school and community concerts, particularly the Messiah Part II Hallelujah arrangement. Giuseppe Verdi's 152 titles anchor the opera and choral sections, with Nabucco, Part III among the most performed excerpts in American high schools and universities. Antonín Dvorák's 142 titles include beloved works like the Serenade in E for Strings, a staple of string orchestra programs at multiple grade levels. Felix Mendelssohn's 149 titles round out the classical core, offering accessible yet substantial works for both choir and orchestra.