Concert Band Festival Sheet Music
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A West Highland Fanfare: Concert Band Conductor Score & Parts -
In the Center Ring: Concert Band Conductor Score & Parts -
Of Wizards and Warriors: Concert Band Conductor Score & Parts -
Cape Breton March: Concert Band Conductor Score & Parts -
Pacific Crest: Concert Band Conductor Score & Parts -
Soundtrack 823: Concert Band Conductor Score & Parts -
At Max Power!: Concert Band Conductor Score & Parts -
The Cherry Tree: Concert Band Conductor Score & Parts -
Down by the Salley Gardens: Concert Band Conductor Score & Parts -
Invasion!: Concert Band Conductor Score & Parts -
Habanera: Concert Band Conductor Score & Parts -
Brother James' Air: Concert Band Conductor Score & Parts -
A Blessed Hymn: Concert Band Conductor Score & Parts -
Daydreams: Concert Band Conductor Score & Parts -
Carrickfergus: Concert Band Conductor Score & Parts -
Falling Leaves: Concert Band Conductor Score & Parts -
Ithaca (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts -
Dimensions: Concert Band Conductor Score & Parts -
Annabel Lee: Concert Band Conductor Score & Parts -
Fantasy on an African-American Spiritual: Concert Band Conductor Score & Parts -
Silent Stands the Elm: Concert Band Conductor Score & Parts -
Smithsonian Suite: Concert Band Conductor Score & Parts -
The Oregon Trail: Concert Band Conductor Score & Parts -
Russian Sailor's Dance (from "The Red Poppy"): Concert Band Conductor Score & Parts
About This Collection
Description
Concert band directors will find nearly 5,000 titles here, most at grades 1 through 3, making this the place to stock your festival and contest repertoire. Popular choices like Arabian Dances by Roland Barrett, Tripwire by JaRod Hall, and The Great Locomotive Chase by Robert W. Smith dominate festival programs year after year. The collection leans heavily on programmatic works, masterwork arrangements, and multicultural pieces, with strong representation on Texas UIL and NYSSMA festival lists. Whether you're preparing a concert opener or a showcase piece, the breadth here means you'll find something that fits your ensemble's level and your program's needs.
Highlights
Teachers keep coming back to Roland Barrett's Arabian Dances, which consistently moves units at Grade 2, and Robert W. Smith's The Great Locomotive Chase, another Grade 2 favorite with proven classroom and festival success. JaRod Hall's Tripwire and Brian Balmages' Wings to the Mind round out the core repertoire that programs rely on across levels. These titles work because they balance accessibility with musical substance, giving young ensembles something engaging to play and develop on.
Recently added
Recent additions include Ryan Fraley's Adirondack Park, Todd Stalter's Futurescape, and Brian Balmages' TRACK OF TITANS/MDB, all published within the last year. Scott Watson's Bright Horizon also arrived recently, adding fresh options to the programmatic and contemporary side of the collection.
Composer & Author Spotlight
Brian Balmages has composed nearly 350 titles for band and orchestra, making him one of the most prolific voices in the collection. His work spans professional concert halls (Carnegie Hall, Kennedy Center) and school programs alike, and Wings to the Mind shows why teachers choose him regularly for accessible yet musically satisfying Grade 0.5 literature.
Robert W. Smith brings over 400 published works to his name, with The Great Locomotive Chase standing as one of the most performed Grade 2 pieces in festival circuits. His output combines practical classroom writing with genuine compositional craft, which explains his consistent presence on preferred lists.
Robert Sheldon is one of the most performed composers of wind band music worldwide and the lead author of Sound Innovations for Concert Band. His works appear on international festival and contest rosters, and his compositional approach emphasizes expression that resonates with both young ensembles and audiences.
William Owens brings over three decades of experience as a music educator, clinician, and composer. His style prioritizes practical musicality for young ensembles, and works like Rust Belt demonstrate his ability to write pieces that appear on required lists across North America while remaining accessible to students early in their musical development.