Zydeco Cajun Crawdad Dance: Concert Band Conductor Score & Parts
By Roland Barrett
Grade: 2 (Easy)
Item: 00-PK-0005582
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Zydeco Cajun Crawdad Dance: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Roland Barrett

Roland Barrett has shaped music education through his dual roles as scholar and composer. Since 2001, he has taught music theory and composition at the University of Oklahoma, where his focus on 20th century topics spans both undergraduate and graduate levels. Beyond the classroom, he continues to arrange for the Pride of Oklahoma marching band and has authored over two hundred published works across symphonic band, chamber ensembles, and marching band repertoire.
Brett's compositions have earned national recognition, performed by the Dallas Wind Symphony, countless All-State and All-Region ensembles, and featured on NPR, USA Network, and at major conventions including the Midwest Band & Orchestra Convention and the International Trumpet Guild. His work has been honored multiple times with the ASCAPlus award, establishing him as a voice in contemporary band music that speaks directly to the needs and interests of student musicians.
Why we love this
Barrett captures the infectious energy of Zydeco without sacrificing playability for Grade 2 bands. The writing sits comfortably in young players' ranges while the rhythmic drive and harmonic color make the piece feel genuinely sophisticated, not simplified. This is the kind of concert opener that reminds audiences why live band music matters.
What to expect
Picture a humid Louisiana night, strings of lights strung between oak trees, and dancers moving to a rhythm that feels both ancient and irrepressibly alive. The music pulses with joy and motion, combining the directness of Cajun fiddle traditions with the propulsive beat of Creole and Caribbean influences. Energy and celebration are woven into every measure.
Who it's for
Grade 2 concert bands seeking authentic American music with real personality. This works equally well for ensembles building their repertoire for festivals and contests or for programs seeking genuine cultural representation that young musicians can engage with as both performers and learners.
How to get the most out of it
- Commit fully to the "backbeat" feel from the very first rehearsal. This rhythmic anchor is what makes Zydeco Zydeco, so lock your rhythm section in early and have the full band feel it before worrying about balance or blend.
- Layer the percussion strategically. The washboard texture (or its equivalent in your percussion lineup) should sit in the mix where it catches without overwhelming. Rehearse the band minus percussion first, then add it back piece by piece.
- Keep tempos honest and energetic. The 2:45 duration counts on momentum, so resist the urge to drag through ensemble passages. A steady, driving pulse will carry younger players through runs and section work.
- Bring out the character lines that suggest Cajun melody and dance idiom. These aren't buried in the harmony; they're the piece's voice. Make sure your soloists and featured sections know they're sharing a story, not just playing their parts.
How to use it
This piece shines as a concert opener that breaks the formality of traditional band programs and signals to your audience that something fun is coming. It also serves well in spring pops or community concerts where cultural diversity and accessible musicianship matter equally. Pair it with other American or world music selections to build a thematic program that celebrates regional musical heritage.
Skills your students will build
- Executing rhythmic figures with a syncopated backbeat feel
- Balancing ensemble sound with active percussion textures
- Reading and sustaining energy through longer sectional passages
- Performing melodic lines that reflect folk and dance idioms
- Responding to cultural context in musical expression