Zero to Ninety! Cover Image

Zero to Ninety!: Concert Band Conductor Score & Parts

$55.00 USD
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Zero to Ninety! Cover Image

Zero to Ninety!: Concert Band Conductor Score & Parts

By Vince Gassi

Grade: 1.5 (Easy)

Item: 00-47270

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Description
From a standstill, this piece takes off and never lets up. Well . . .maybe just for a brief moment in the pit stop (slow section). But then it's a wild ride to the end. Lots of fun for everyone!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Zero to Ninety!: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 234
UPC: 038081545561
SKU: 00-47270

More about this title

About the Composer: Vince Gassi

Vince Gassi

Vince Gassi has built a prolific career as a composer, conductor, and educator since joining Alfred Music in 2006. With more than 100 published works to his name, his compositions have earned a reputation for combining accessible writing with genuine musical substance, making them staples at concert and contest venues worldwide. He holds a Bachelor of Music from the University of Western Ontario and pursued advanced study in composition and arranging at the Dick Grove School of Music in Los Angeles before completing a Ph.D. at York University in Toronto.

Gassi spent twenty-five years in the classroom teaching instrumental music at elementary and secondary levels, experience that deeply informs his compositional voice. He maintains an active schedule as a guest conductor, adjudicator, and clinician across North America, and his seminars on creative engagement and digital workflows for music directors reflect his commitment to supporting the teaching profession. His compositions continue to receive performances and recordings throughout North America, Europe, and Japan, with frequent appearances at prestigious venues including the Midwest Clinic in Chicago.

Why we love this

Gassi delivers exactly what a Grade 1.5 band needs: genuine momentum without technical overreach. The metaphor of acceleration and a pit stop gives young musicians a narrative arc to perform, not just notes to read. It's the kind of opener that builds ensemble confidence and leaves an audience smiling.

What to expect

Pure forward drive interrupted by a moment of stillness, then charging toward the finish line. The piece captures the thrill of controlled energy and the relief of a brief pause, making it as fun to perform as it is to hear.

Who it's for

First and second-year concert bands seeking a high-energy opener that builds ensemble cohesion without punishing inexperienced players. Directors programming early-season concerts or youth festivals will find this piece engages listeners while respecting where developing musicians actually are technically.

How to get the most out of it

  • Shape the opening acceleration by incrementally tightening articulation and releasing sustained notes with precision; loose attacks will undercut the takeoff effect.
  • Feature the slow section as genuine contrast by pulling back the tempo meaningfully and allowing breath support to define phrasing rather than mechanical precision.
  • Balance tutti texture in the fast passages by monitoring the inner voices; young bands often lose harmonic definition when focusing heavily on melody and bass.

How to use it

Open a concert with this piece to establish energy and goodwill from the audience immediately. Its approachable level and clear narrative structure also make it an excellent choice for community band festivals or end-of-season showcases where versatility and accessibility matter.

Skills your students will build

  • Controlling articulation clarity across tempo changes
  • Sustaining ensemble balance in thick chordal textures
  • Creating dynamic contrast between fast and slow sections
  • Maintaining rhythmic precision during acceleration passages
  • Listening for and adjusting blend in tutti voicing

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