Zátopek! Cover Image

Zátopek!: Full Scores

$67.00 USD
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Zátopek! Cover Image

Zátopek!: Full Scores

A Mini-Opera

By Emily Howard / words by Selma Dimitrijevic

Item: 98-EP73334

$67.00
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Description

Zátopek! by Emily Howard with a libretto by Selma Dimitrijevic is a 13 minute and 57 seconds mini-opera for seven singers, adult and children's choir, chamber ensemble (2012) inspired by the life and times of iconic Czech long distance runner Emil Zátopek (1922–2000). At the 1952 Helsinki Olympics Zátopek achieved a sensational hat-trick winning gold at 5000m, 10,000m and the marathon, with a winning time at 5000m of 14 minutes and 6 seconds. Zátopek! is a thrilling near-real time musical recreation of this legendary race and celebration of its extraordinary winner.

Commissioned by Second Movement with funds from New Music 20x12 – a UK wide commissioning programme initiated by Jillian Barker and David Cohen, and delivered by PRS for Music Foundation in partnership with the BBC, LOCOG and NMC Recordings. Part of the London Cultural Olympiad 2012.

World première: 15 June 2012, The Epstein Theatre, Liverpool

Second Movement, Ensemble 10/10, conducted by Clark Rundell, Members of the Royal Liverpool Philharmonic & Liverpool Philharmonic Youth Choirs

This edition (EP 73334) is the full score of the work. The performance material is available for hire.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 46
ISBN10: 0-57-701996-1
ISBN13: 979-0-57-701996-3
SKU: 98-EP73334

More about this title

About the Composer: Emily Howard

Emily Howard is a British composer known for her distinctive approach to contemporary classical music, often drawing inspiration from historical figures and athletic achievement. Her works frequently combine lyrical melodic writing with rhythmic vitality, creating pieces that engage both traditional and new music audiences.

Why we love this

Howard captures the visceral drama of Zátopek's legendary triple gold medal run through music that moves in real time, creating a work that functions equally well as concert piece and theatrical spectacle. The chamber orchestration keeps the score transparent and rehearsal-friendly while the choral and vocal writing draws non-professional singers into a narrative that celebrates human determination and athletic excellence.

What to expect

The score captures the relentless forward momentum of long-distance running through perpetually active rhythms and layered orchestral textures that propel the listener toward the finish line. Moments of lyricism surface when the music zooms in on Zátopek himself, creating intimate human portraits within the larger spectacle of the athletic feat.

Who it's for

Music directors and conductors with access to adult choirs, children's or youth choirs, and a small chamber ensemble (approximately 10-15 players). This work demands singers who can sustain long lines and respond to dramatic pacing, making it suitable for advanced community choirs, university ensembles, and professional opera companies.

How to get the most out of it

  • Study the libretto alongside the score so singers understand their moment within the larger race narrative; this contextual knowledge shapes phrasing and dramatic intention.
  • Balance the seven soloists with the massed choir sections by positioning singers strategically and adjusting instrumental texture rather than simply adjusting individual vocal volume.
  • Use the chamber ensemble to anchor rhythmic cohesion across both adult and children's choirs, who may have varying rehearsal time and experience levels.

How to use it

Zátopek! works powerfully as a standalone concert event or as part of a contemporary music festival celebrating both classical composition and alternative repertoire. Its 14-minute duration and Olympic commission history make it an ideal centerpiece for programs exploring music inspired by sports, history, and human achievement.

Skills your students will build

  • Sustaining long phrases across multiple stanzas without loss of breath control or tone quality
  • Coordinating between massed choir sections and seven soloists while maintaining musical cohesion
  • Responding to dramatic and narrative cues embedded in the libretto that shape musical interpretation
  • Reading contemporary notation and ensemble textures within a chamber orchestral context

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