Zack's Zydeco Two-Step Cover Image

Zack's Zydeco Two-Step: Jazz Ensemble Conductor Score

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Zack's Zydeco Two-Step Cover Image

Zack's Zydeco Two-Step: Jazz Ensemble Conductor Score

By Zachary Smith

Grade: 1.5

Item: 00-51893S

$8.00
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Description
Oh yeah, a fun and happy chart with the Zydeco groove played around 150 BPM. Suggested solos provided for trumpet 1, tenor 1 and piano. And you'll really want to showcase the washboard auxiliary percussion part. This chart is simply a fun and musical joy for the band and for the audience. (3:45)

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 20
ISBN10: 1-4706-7726-1
ISBN13: 978-1-4706-7726-8
UPC: 038081599434
SKU: 00-51893S

More about this title

Why we love this

Smith writes for first-year jazz ensembles with genuine joy in mind. The washboard part isn't an afterthought; it's a featured voice that makes students want to rehearse, and the suggested solos give your section leaders exactly what they need to shine without overcomplicating things.

What to expect

Upbeat and infectious, with the bouncy two-step rhythm and zydeco groove creating immediate momentum. The washboard brings authentic flavor and percussive texture that refreshes what a student jazz band can sound like, while the straightforward changes let soloists focus on phrasing and feel rather than navigation.

Who it's for

First-year jazz ensemble students who are ready to stretch beyond basics into real funk and zydeco territory without drowning in complexity. Directors building a program where enthusiasm matters as much as precision will find this chart earns genuine smiles from students and audiences alike.

How to get the most out of it

  • Lock the groove at 150 BPM before adding soloists; a solid rhythm section makes the zydeco feel settle naturally and gives your soloists a secure foundation.
  • Balance the washboard carefully during ensemble sections so it cuts through without overwhelming the horns; this percussion feature deserves to be heard but not at the expense of overall blend.
  • Encourage your trumpet 1, tenor 1, and pianist to personalize their solos within the changes; Smith provides the roadmap, but the soloists should bring their own voice to each performance.
  • Rehearse the transitions into and out of solos as precisely as the solo sections themselves; clean handoffs keep the energy moving and prevent the chart from sagging.

How to use it

Program this as a high-energy closer or second-half opener on a concert where you want to shift mood into something celebratory. It pairs well alongside other funk-influenced charts or serves as a palate cleanser between more intricate swing or ballad numbers, and at 3:45 it gives your ensemble a satisfying arc without overstaying its welcome.

Skills your students will build

  • Playing with zydeco and funk grooves at a steady tempo
  • Improvising solos over blues-based changes
  • Balancing ensemble blend when auxiliary percussion is featured
  • Responding to rhythmic energy and maintaining pocket feel
  • Trading solos and managing section transitions cleanly

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