Your Love Was a River Cover Image

Your Love Was a River: SATB Choral Octavo

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Your Love Was a River Cover Image

Your Love Was a River: SATB Choral Octavo

Words and music by Sheldon Curry

Item: 00-35636

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Description
The melody flows like a traditional southern folk tune, and the text, like a pastoral poem, but all of the material is original. A delightful piano accompaniment underscores fluid voice parts in mostly 3/4 time. Sublime. Featured on PianoTrax 3 Accompaniment CD (00-34744).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Your Love Was a River: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081398327
SKU: 00-35636

More about this title

Why we love this

Curry writes idiomatically for choir voices without asking them to navigate complicated rhythms or ranges. The piece trades on folk aesthetic authenticity while being entirely original, which gives singers and audiences alike the satisfaction of something both familiar and fresh.

What to expect

Pastoral and contemplative. The melody unfolds with the unhurried quality of a traditional folk tune, while the original text and harmonic language keep the piece grounded in contemporary choral writing. There's an emotional restraint here that feels genuine rather than sentimental.

Who it's for

SATB choirs seeking accessible, singable repertoire that doesn't sacrifice musical substance. This works especially well for choirs comfortable with sustained legit singing and looking to expand their secular (non-holiday) programming.

How to get the most out of it

  • Shape the melodic contour with sustained vowels on the flowing passages; the 3/4 time wants to breathe naturally rather than march metrically.
  • Balance the piano accompaniment so it supports the voice parts without obscuring them. The fluidity of the writing depends on clarity of each voice line.
  • Treat the folk tune quality as genuine rather than novelty. These melodies reward legit singing and deserve the same musicality you'd give to any art song.

How to use it

Pair this with other secular choral work in a program focused on storytelling through text and melody. Its moderate length and folk-inspired character make it ideal for spring or summer concerts, or for concert closers seeking something warm and approachable.

Skills your students will build

  • Singing in 3/4 time with legato phrasing
  • Blending sustained vowels across four-part harmony
  • Following independent melodic lines while maintaining textural unity
  • Interpreting folk-inspired music with expressive depth

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