You Will Be Found (from Dear Evan Hansen) (arr. Craig McLeish): SSATBB Choral Octavo

Craig McLeish's arrangement captures the soaring, anthemic quality of the original without sacrificing the intimate confession at the song's heart. The SSATBB voicing creates rich harmonic texture while keeping the lyrical hook accessible; your singers will feel the emotional weight of this number rather than merely performing it. Programming this in concert gives audiences a moment of genuine catharsis and reminds choirs that contemporary Broadway belongs in your performance calendar.

The song unfolds as a confession gradually becoming a plea, finally resolving into hope. Harmonically warm but never sentimental, it invites singers and listeners into a moment of radical vulnerability where being seen and known feels genuinely possible. The arrangement sustains emotional honesty while building to moments of genuine power.

This arrangement works for high school and college choirs with solid blend and musicality who are ready to take on recent Broadway repertoire with substance. Your singers should have enough vocal maturity to handle the emotional content alongside the technical demands, and your audience benefits from hearing music they may already know transformed into an ensemble experience.

• Shape the melodic line through the early verses with understated vocal production, allowing the text to carry the emotional weight before building into the fuller chorus writing.
• Balance the upper voices' melodic material against the lower voices' harmonic support by rehearsing them separately first; sopranos and altos need to feel supported rather than exposed.
• Treat the dynamic arc as a journey toward collective affirmation rather than a single climactic moment. The song works best when each phrase builds slightly, creating a cumulative effect.
• Secure rhythmic precision in any syncopation by isolating those measures and connecting them to the underlying text rhythm rather than counting over the beat.

Position this piece in the second half of a concert where your audience has already settled into listening deeply. It pairs well alongside other contemporary vocal music or as a bridge between classical and musical theater repertoire. The nineteen pages and emotional scope make it substantial enough to anchor a concert segment while remaining accessible enough that both singers and audience members connect immediately.

• Balancing solo melodic lines with harmonic ensemble writing
• Sustaining emotional authenticity across a range of dynamic levels
• Navigating contemporary song style and rhythm while maintaining ensemble precision
• Reading and interpreting modern Broadway text with dramatic intention
• Building climactic phrase architecture across an extended form