You Will Be Found (from Dear Evan Hansen) (arr. Audrey Snyder): 3-Part Mixed Choral Octavo

Snyder captures the raw vulnerability of this song's original moment while making it genuinely singable for three-part mixed ensembles. The arrangement preserves the song's quiet power to build emotional connection without demanding the vocal firepower of the Broadway version, letting the text and the singers' sincerity do the real work.

The arrangement mirrors the song's emotional architecture: isolated, searching, then gradually gathering hope. The three-part texture creates moments of surprising fragility alongside moments where all voices converge into something affirming. It feels intimate even when sung by a full choir.

High school choirs and intermediate college ensembles looking for contemporary repertoire with emotional stakes. Directors seeking a Broadway title that works for mixed groups without requiring soloistic voices or extreme ranges.

• Shape the opening phrases with restraint. This song earns its intensity through accumulation, not explosive dynamics from the start. The quiet moments need space to breathe.
• Attend to the text painting in the harmonic support. Where the arrangement shifts color or density, those moments usually underscore something thematically important. Point those out in rehearsal so singers understand why the harmony moves that way.
• Balance transparency with blend. Three-part mixed voicing can muddy quickly if the middle voices dominate. Keep the middle part singing support, not melody, even when it feels prominent on the page.
• Let the final section build gradually. Resist the urge to jump straight to fortissimo. The power comes from hearing how many voices join the statement of the main idea.

This works beautifully on a concert exploring connection and belonging, especially paired with other contemporary repertoire or spiritual music. It also fits well as a standalone choral feature that lets audiences hear a familiar Broadway moment through a new lens. The 18-page length makes it substantial enough to anchor a set without overshadowing shorter pieces around it.

• Blending a three-part texture while maintaining individual line integrity
• Shaping long, narrative-driven phrases with clear emotional arc
• Navigating contemporary harmonic language in a choral setting
• Performing text with specificity and emotional authenticity
• Balancing rhythmic precision with lyrical, speech-like phrasing