You've Never Had Chocolate Like This Cover Image

You've Never Had Chocolate Like This: Concert Band Conductor Score & Parts

$75.00 USD
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You've Never Had Chocolate Like This Cover Image

You've Never Had Chocolate Like This: Concert Band Conductor Score & Parts

Music by Neil Hannon, lyrics by Neil Hannon, Simon Farnaby and Paul King / arr. Michael Story

Grade: 2.5

Item: 00-50782

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Description
This showstopper from the movie Wonka is sure to be a crowd-pleaser! This terrific arrangement has many teachable moments, including swinging eighth notes, dynamic shifts, rhythmic interplay, independence, and more. Full of energy and excitement, this expertly scored arrangement of You've Never Had Chocolate Like This by Michael Story is the perfect choice for your next concert. (2:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, You've Never Had Chocolate Like This: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
ISBN10: 1-4706-6930-7
ISBN13: 978-1-4706-6930-0
UPC: 038081588124
SKU: 00-50782

More about this title

About the Composer: Neil Hannon

Neil Hannon is the songwriter and lead vocalist of The Divine Comedy, a band known for orchestral pop arrangements and witty, sophisticated songwriting across multiple decades. His work spans theatrical compositions, film scores, and conceptual albums that blend classical instrumentation with contemporary sensibilities. Hannon's music for film and stage demonstrates his gift for melody and his ability to craft pieces that work across both intimate and grand scales.

Why we love this

Michael Story's arrangement captures all the charm and theatrical energy of the original without losing sight of what makes the song infectious. The Grade 2.5 scoring balances accessibility with genuine musicianship, giving every section something worthwhile to play while keeping the focus on swing feel and dynamic control. Directors get a piece that energizes audiences and teaches real concepts simultaneously, not a novelty that wears thin after one season.

What to expect

Pure joy. The piece bounces with swagger and whimsy, full of sharp articulations, unexpected rhythmic twists, and bright orchestration that recalls the film's visual playfulness. It's celebratory without being silly, energetic without being exhausting.

Who it's for

Concert bands at the Grade 2-3 level looking for a contemporary crowd-pleaser that works both musically and theatrically. This arrangement appeals to students who connect with film music and pop idioms while offering enough structure and orchestration to satisfy traditional concert programming standards.

How to get the most out of it

  • Nail the swing eighth-note feel from the opening. A straight rhythmic interpretation will flatten the piece's character entirely; use a triplet subdivision and listen for the lilt in your rhythm section.
  • Shape the dynamic contrasts intentionally. The shifts between sections are scored for a reason and should feel choreographed, not accidental.
  • Secure independence in the ensemble by rehearsing key rhythmic figures in isolation. Students often lock into the melody line rather than maintaining their own rhythmic integrity.
  • Balance the solo moments within the full texture. Soloists need clarity without the band dropping volume so far that ensemble cohesion disappears.

How to use it

Program this as a high-energy second-half opener to reset audience engagement or as a finale that sends the crowd out smiling. It pairs well with more traditional pops selections or straightforward concert fare, serving as the throughline that reminds listeners why younger ensembles often bring the most infectious musicianship to a concert stage.

Skills your students will build

  • Swung eighth-note articulation and feel
  • Dynamic contrast and phrase shaping
  • Rhythmic independence within ensemble texture
  • Sight-reading contemporary pop idioms
  • Solo clarity and projection within full orchestration

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