You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) Sheet Music Preview

You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor): Jazz Ensemble Conductor Score & Parts

Arranged by Mark Taylor

Grade: 3-4

Item: 35-PK00182523

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$55.00

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Product Price Quantity
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Conductor Score (Full Score) $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Vocal Solo $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Alto Sax 1 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Alto Sax 2 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Tenor Sax 1 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Tenor Sax 2 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Baritone Sax $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trumpet 1 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trumpet 2 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trumpet 3 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trumpet 4 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trombone 1 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trombone 2 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trombone 3 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Trombone 4 $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Guitar $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Piano/Vocal $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Bass $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Drums $6.00
You've Got A Friend In Me (from Toy Story) (arr. Mark Taylor) - Tenor Sax Solo $6.00

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Description
Featured in all of the popular "Toy Story" movies, the big band version recorded by Robert Goulet (as the voice of Wheezy) is the most memorable. In a similar style, Mark Taylor brings a fresh setting of this modern day classic for vocal soloist and big band.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00182523

More about this title

About the Arranger: Mark Taylor

Mark Taylor is a prolific arranger whose work has defined the jazz ensemble repertoire for decades. His arrangements balance accessibility with musicianship, making him a trusted voice for educators programming everything from concert halls to festivals.

Why we love this

Taylor captures the warmth of Randy Newman's original melody while building a genuine big band sound that doesn't talk down to Grade 3/4 ensembles. The inclusion of a vocal soloist transforms this from accompaniment music into a feature that gives your best singer a moment to shine, and audiences respond instantly to the nostalgia and charm.

What to expect

Comfort and connection. The melody unfolds with the familiarity of an old friendship renewed, while the big band palette adds sophistication without losing intimacy. There's a sweetness here that feels earned, not saccharine.

Who it's for

Directors with a capable vocal soloist and ensembles ready to support rather than overshadow a featured part. This works equally well for concert programming, pops nights, or any moment when you want genuine warmth in the room.

How to get the most out of it

  • Balance the melody against the ensemble voices. The vocal line carries the song, so keep the background parts responsive rather than dominant, especially in the opening section.
  • Lock the rhythm section early. The groove needs to feel natural and conversational, not metronomic. Spend rehearsal time on pocket before layering in the horns.
  • Shape the dynamic arc across the entire piece rather than relying on notated dynamics alone. This song benefits from natural breathing and phrasing that mirrors how a singer would tell the story.
  • Highlight the transitions between sections. Taylor's orchestration shifts smoothly, and small dynamic adjustments at these moments prevent the arrangement from feeling like isolated blocks.

How to use it

Pair this with other accessible jazz standards to build a concert that reaches beyond traditional jazz audiences. It's an ideal closer for a spring concert or a natural fit on a family-friendly pops program where you want to land with something warm and recognizable.

Skills your students will build

  • Balancing featured soloist with ensemble texture
  • Groove-based rhythmic accuracy in jazz feel
  • Listening and responding to another musician's phrasing and dynamics
  • Sustaining soft dynamic levels while maintaining tone quality

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