You Took Advantage Of Me (from Present Arms) Sheet Music Preview

You Took Advantage Of Me (from Present Arms): E-Z Play Today

Item: 35-DS01640478

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$4.99
Description

You Took Advantage Of Me (from Present Arms): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS01640478

More about this title

About the Creator

Rodgers and Hart dominated Broadway's golden age, crafting some of the most sophisticated and singable melodies in American musical theater. Their partnership produced standards that have outlasted countless shows, celebrated equally in concert halls and jazz clubs for their harmonic richness and lyrical wit.

You Took Advantage Of Me comes from Present Arms (1928), a relatively obscure show that nonetheless yielded this gem. The song's clever title and playful sentiment mask surprisingly complex chord changes that made it a favorite among jazz musicians and continues to reward pianists with interesting harmonic territory.

Why we love this

The E-Z Play Today format strips away unnecessary complexity while preserving the harmonic sophistication that makes this standard worth playing. Students encounter real jazz changes and unexpected turnarounds without wrestling through dense notation, letting them focus on phrasing and swing feel from the first run-through.

What to expect

Playful and slightly coquettish, with a melody that dances more than it soars. The harmonic palette keeps things interesting and slightly sophisticated; you're never playing something simple, even though the surface feels effortless and bright.

Who it's for

Pianists developing jazz vocabulary and an ear for swing phrasing will find this accessible but genuinely rewarding. Music teachers can use it as an entry point to the Great American Songbook without requiring students to decode traditional lead sheet notation first.

How to get the most out of it

  • Shape the melody by listening to how jazz singers land on the beat; this tune rewards a conversational approach rather than strict metronomic time
  • Treat chord symbols as guides for improvisation and reharmonization if you're working with it in a jazz context; the changes welcome creative interpretation
  • Let the left hand comping breathe around the melody rather than filling every beat; space makes the lyrical moments land harder
  • Pay special attention to how the bridge shifts the harmonic center; mark those chord changes clearly so the pivot feels intentional rather than accidental

How to use it

Pair this with other Rodgers and Hart standards for a Broadway or jazz standards recital, or use it as a contrast piece in a concert mixing classical and contemporary repertoire. It works equally well as a solo feature or as a backing track for a vocalist learning the jazz standard repertoire.

Skills your students will build

  • Reading chord symbols and navigating jazz changes
  • Swing rhythm and jazz phrasing
  • Left-hand comping patterns typical of jazz piano
  • Harmonic awareness through bridge modulation
  • Balancing melody and accompaniment in a swing feel

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