You Took Advantage of Me Cover Image

You Took Advantage of Me: Choral Octavo SoundTrax CD

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You Took Advantage of Me Cover Image

You Took Advantage of Me: Choral Octavo SoundTrax CD

Featured in the Motion Picture Fame

Words by Lorenz Hart, music by Richard Rodgers / arr. Greg Gilpin

Item: 00-33139

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Description
What fun it was to see and hear this classic 1928 Rodgers and Hart tune from the musical Present Arms in the recent movie musical Fame, as performed by Megan Mullally. A fresh, comedic, and jazzy rendition, arranged just for your ladies.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081360478
SKU: 00-33139

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) shaped American musical theater across five decades, beginning with his partnership with lyricist Lorenz Hart in the 1920s. His melodic gift and harmonic sophistication elevated popular song to an art form; his work with Hart produced some of the most enduring standards in the American Songbook, including songs that remain central to jazz and vocal literature.

When Rodgers later partnered with Oscar Hammerstein II, he created the modern musical theater template with works like Oklahoma! and The Sound of Music. For music educators, Rodgers' output represents accessible yet sophisticated songwriting that challenges singers to balance lyrical clarity with genuine musicality.

Why we love this

Greg Gilpin's arrangement captures the playful, self-aware humor of this number while keeping the vocal writing clean and singable for changing treble voices. The jazzy flavor and comedic momentum give singers genuine entertainment value, and the Fame film connection provides immediate cultural relevance that resonates with young musicians.

What to expect

Witty, confident, and just a little bit sassy. The arrangement swings with jazz inflections and rhythmic snap, capturing both the era of the original 1928 song and the modern comedic sensibility of its recent film performance. It feels like a song sung by someone absolutely aware of their own appeal.

Who it's for

Treble choirs and changing voice sections looking for contemporary-sounding repertoire with genuine humor and theatrical flair. It works equally well for high school and adult women's choirs seeking fun material that doesn't sacrifice musicality.

How to get the most out of it

  • Treat the comedic timing as seriously as you would the vocal technique. The rhythmic precision and articulation choices are what make the humor land.
  • Use the recorded accompaniment to establish the groove before rehearsing. This arrangement has a specific jazz pocket that needs to feel natural from the start.
  • Balance the vocal blend in close harmony passages while keeping each line audible. The arrangement's wit depends on clarity.
  • Shape phrases with the lyrical intent rather than mechanical phrasing. Rodgers' melody rewards singers who understand the story and delivery.

How to use it

Place this in a spring or end-of-year concert where you want to leave audiences smiling. It pairs naturally with other jazz-inflected or theatrical pop selections, or stand it alone as a showstopper after more serious repertoire.

Skills your students will build

  • Jazz phrasing and swing articulation
  • Comedic delivery and rhythmic precision in ensemble singing
  • Close harmony blend and voice independence in chord progressions
  • Connecting lyrical meaning to musical expression

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