You're Welcome (from Moana) (arr. Matt Conaway) Sheet Music Preview

You're Welcome (from Moana) (arr. Matt Conaway): Marching Band Conductor Score & Parts

Arranged by Matt Conaway

Grade: 3

Item: 35-PK00374918

Digital Download
$55.00

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Product Price Quantity
You're Welcome (from Moana) (arr. Matt Conaway) - Conductor Score (Full Score) $8.00
You're Welcome (from Moana) (arr. Matt Conaway) - Flute/Piccolo $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Bb Clarinet $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Eb Alto Sax $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Bb Tenor Sax $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Eb Baritone Sax $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - 1st Bb Trumpet $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - 2nd Bb Trumpet $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - 3rd Bb Trumpet $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - F Horn $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Bb Horn/Flugelhorn $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - 1st Trombone $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - 2nd Trombone $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Baritone B.C. $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Baritone T.C. $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Tuba $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Electric Bass $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Marimba $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Snare Drum $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Cymbals $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Quad Toms $6.00
You're Welcome (from Moana) (arr. Matt Conaway) - Multiple Bass Drums $6.00

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Description
Featuring a medium swing style and catchy melodies, this song from the animated film "Moana" is sure to be a popular change of pace for any occasion.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00374918

More about this title

Why we love this

Conaway captures the infectious energy of the original without oversimplifying the arrangement, giving marching bands a chance to deliver contemporary film music that audiences actually know and want to hear. The medium swing style sits comfortably for Grade 3 groups while preserving the song's personality.

What to expect

Upbeat and approachable, with the swagger of a medium swing that keeps the mood buoyant without demanding virtuosic chops. The arrangement channels the optimism of the original film while maintaining enough substance to keep rehearsals musically rewarding.

Who it's for

Marching bands seeking accessible contemporary repertoire that speaks to students and audiences alike. This works equally well for groups building confidence at Grade 3 level and for more advanced ensembles wanting a reliable crowd-pleaser for parades, football games, or concert programming.

How to get the most out of it

  • Lock the swing feel early in rehearsal; the rhythmic pocket is what makes this arrangement sing, so establish consistent subdivision before layering in dynamics or phrasing.
  • Balance the melody across sections rather than spotlighting a single voice; the catchy theme works best when it passes between parts and creates a unified sound.
  • Mark breath points carefully with your students, especially in longer phrases, so the momentum of the swing style never drops.
  • Record a run-through at performance tempo and listen back as a full ensemble; hearing the composite sound helps students understand how their individual parts contribute to the whole arrangement.

How to use it

Pair this with a classical opener or more serious work to create dynamic contrast in a concert set, or use it as a closer that leaves audiences smiling. For marching band competitions and field shows, it serves as the kind of contemporary bridge piece that appeals to judges and spectators without sacrificing musicality.

Skills your students will build

  • Executing swing rhythm with accurate articulation and phrasing
  • Passing melodic material between sections while maintaining textural clarity
  • Balancing volume and tone across a medium tempo contemporary arrangement
  • Reading and performing at a consistent groove with rhythmic precision

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