You're Welcome (from Moana) (arr. Mark Brymer): Choral Instrumental Pak

Brymer captures the infectious swagger of the original without oversimplifying it. The arrangement lets your singers own the attitude and humor of the song, and that combination of fun factor plus genuine musical substance means students actually want to rehearse it. The rapping sections are written for accessibility rather than complexity, so your group can nail the character work without requiring rap specialists.

Strutting confidence wrapped in clever humor. The melody is catchy enough to stick in your head for days, and the arrangement has enough rhythmic sophistication to keep it from feeling thin or juvenile. You're performing a character moment that's both comedic and musically satisfying.

Middle school and high school choirs looking for a contemporary number with genuine entertainment value and built-in student enthusiasm. This works equally well for mixed ensembles, treble choirs, or groups blending multiple voice parts.

• Lock in the rhythmic pocket early. The groove drives the whole number, so get your rhythm section (or backing track if you're using one) locked in before layering the vocal lines.
• Commit fully to the character and attitude. This song lives on confidence and playfulness. Half-hearted delivery will flatten even the cleverest musical moments.
• Balance the rap sections by having singers over-articulate on consonants without sacrificing flow. You want clarity without tension.
• Use dynamics strategically to build momentum toward the hook. The song thrives on peaks and valleys, not a steady volume throughout.

Pair this with other Disney or contemporary pop selections for a fun-focused concert theme that genuinely connects with younger audiences. It also works as a show-stopping closer or encore, especially in spring concerts where you want to end on a high note of pure entertainment.

• Rhythmic precision in syncopated pop idiom
• Character interpretation and dramatic delivery
• Articulation and diction in rap-style singing
• Ensemble blend and balance in contemporary harmony
• Comedic timing and ensemble acting