You're the Voice: Maria Callas Cover Image

You're the Voice: Maria Callas: Piano/Vocal/Guitar Book & CD

$22.99 USD
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You're the Voice: Maria Callas Cover Image

You're the Voice: Maria Callas: Piano/Vocal/Guitar Book & CD

Maria Callas

Item: 12-0571532543

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Description
The You're the Voice series is a wonderful collection of books containing stylistic songs arranged for voice, piano, and guitar as performed and recorded by such legendary entertainers as Carole King, Maria Callas, Tom Jones, Celine Dion, Aretha Franklin, George Michael, and Nina Simon. The accompanying CD contains full backing tracks for each song, professionally arranged and recorded to recreate the sounds of the original recording.

Titles are: Addio, del Passato * Casta Diva * Ave Maria * J'ai Perdu Mon Eurydice * Les Tringles des Sistres Tintaient (Gypsy Song) * Un Bel Di Vedremo (One Fine Day) * Vissi D'arte * Porgi Amor.

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Additional Details
Series: Faber Edition: You're the Voice
Publisher: Faber Music
ISBN10: 0-571-53254-3
ISBN13: 978-0-571-53254-4
SKU: 12-0571532543

More about this title

About the Artist: Maria Callas

Maria Callas (1923-1977) was an American-born soprano who became the most influential opera singer of the twentieth century. Her extraordinary range, dramatic intensity, and meticulous musicianship transformed how singers approached operatic roles, especially the bel canto repertoire that dominates this collection.

Callas's legacy extends far beyond the opera house. Her recordings remain the gold standard for understanding how to shape these arias with both technical precision and emotional depth. For singers and teachers, her interpretations offer a masterclass in phrasing, breath control, and the marriage of vocal technique with dramatic truth.

Why we love this

This collection assembles eight essential operatic arias in accessible arrangements that preserve the grandeur of the original material while remaining singable for intermediate and advanced vocalists. The professionally recorded backing tracks on the accompanying CD offer authentic accompaniment that frees singers to focus on interpretation rather than struggling to coordinate with a pianist, making preparation for recital or competition performance significantly more efficient.

What to expect

These eight arias span the emotional range of Italian and French opera: tender longing in 'Un Bel Di Vedremo,' defiant sacrifice in 'Vissi D'arte,' divine supplication in 'Ave Maria,' and the exotic allure of the 'Gypsy Song.' Each arrangement maintains the vocal and harmonic grandeur of the originals while offering clarity of texture for solo performance.

Who it's for

This book suits intermediate to advanced vocalists preparing operatic repertoire for recital, competition, or college audition. Voice teachers and private studio instructors will find it particularly valuable for students seeking to engage seriously with bel canto literature.

How to get the most out of it

  • Study the Callas recording before working from the score. Her approach to text clarity, phrasing architecture, and emotional shaping sets a benchmark that will deepen your interpretation even as you develop your own voice.
  • Use the CD backing track during early rehearsal to establish secure relationships with the harmonic language and to lock in your entrance points, then transition to working with a live pianist for the expressive refinement of your final performances.
  • Pay special attention to breath placement in the longer lines. These arias demand both vocal stamina and strategic breathing that supports musical continuity rather than arbitrary phrasing.

How to use it

Feature individual arias in voice studio recitals, or group several together to create a thematic program exploring bel canto vocal writing across decades. The diversity of character and emotional content makes these arias useful for students developing interpretive flexibility and technical command across contrasting dramatic situations.

Skills your students will build

  • Sustained legit singing in extended phrases
  • Stylistic interpretation of bel canto vocal writing
  • Coordination of text delivery with musical line
  • Management of dramatic expression at various dynamic levels
  • Secure audition preparation with professional accompaniment

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