You're The Voice Sheet Music Preview

You're The Voice: SAT Choral Octavo

By Keith Reid / By Andy Qunta / By Chris Thompson / By Maggie Ryder / As performed by John Farnham / Arranged by Mark De-Lisser

Item: 35-DS00333534

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00333534

More about this title

About the Composer: Keith Reid

Keith Reid is a songwriter whose work has shaped Australian popular music across multiple decades. His contributions to rock and pop songwriting demonstrate a gift for crafting memorable melodies and lyrics that resonate across generations and performance contexts.

Why we love this

Mark De-Lisser's SAT arrangement opens this iconic anthem to smaller choral ensembles without sacrificing the song's infectious energy or emotional core. The straightforward three-part voicing lets singers focus on locking into the propulsive rhythm and supporting harmony rather than wrestling with complex polyphony, making it an excellent vehicle for building ensemble cohesion.

What to expect

Uplifting and direct, with an irresistible hook that lodges in listeners' ears. The arrangement captures the song's earnest optimism and driving pop sensibility while remaining accessible for singers navigating three-part harmony.

Who it's for

SAT choirs looking for contemporary repertoire that engages audiences and singers alike. This arrangement works equally well for high school ensembles, community choirs, and mixed programs seeking a crowd pleaser with genuine musical substance.

How to get the most out of it

  • Keep the rhythmic drive steady and slightly forward; the song's power comes from relentless momentum, not from sitting back on the beat.
  • Balance the soprano line against the alto and tenor harmonies so the main melody doesn't overshadow the supporting parts, which carry much of the song's character.
  • Shape phrases through dynamic contrast rather than constant loudness. The original recording has peaks and valleys that give the tune room to breathe.

How to use it

This pairs naturally with other pop and contemporary choral selections for a spring or end-of-year concert that highlights your singers' versatility. It also works as a compelling closer, leaving audiences energized as they leave the hall.

Skills your students will build

  • Singing pop style with rhythmic precision and forward motion
  • Three-part blend and balance in a homophonic texture
  • Reading and sustaining confident vocal lines over an active harmonic foundation
  • Interpreting dynamic shape in contemporary arrangements

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