You're the One That I Want (from the musical <I>Grease</I> Cover Image

You're the One That I Want (from the musical <I>Grease</I>: Marching Band Conductor Score

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You're the One That I Want (from the musical <I>Grease</I> Cover Image

You're the One That I Want (from the musical Grease: Marching Band Conductor Score

By John Farrar / arr. Ralph Ford

Grade: 3 (Medium)

Item: 00-26983S

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Description
Straight from the musical Grease and the popular reality television show is this infectious arrangement from the pen of Ralph Ford. A must-have!

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
UPC: 038081305479
SKU: 00-26983S

More about this title

About the Composer: John Farrar

John Farrar composed the iconic score for Grease, the 1978 film adaptation of the stage musical. His work on "You're the One That I Want" and other tracks from the film became cultural touchstones, establishing Farrar as a master of infectious pop melody and theatrical arrangement.

Why we love this

Ralph Ford's marching band arrangement captures the unstoppable energy and immediacy of this Broadway hit without losing the melodic clarity that makes the original unforgettable. At Grade 3, it's accessible enough for developing ensembles yet full-bodied enough to deliver real impact on the field.

What to expect

Pure, irresistible momentum. This is the song that makes people on the sidelines lean forward in their seats and smile. The arrangement translates that electric moment from the film into something your band can own on the field.

Who it's for

Directors who want a high-energy crowd favorite that connects with audiences of all ages. Marching bands at the Grade 3 level will find this within reach while still offering satisfying section work and musical challenges.

How to get the most out of it

  • Keep the articulation crisp and unified across the band. The groove lives in precision, not volume.
  • Balance the melody voices so the main hook cuts through clearly. This tune needs to sing.
  • Lock the rhythm section tight from the start of rehearsal. The pocket is everything in this arrangement.
  • Shape the dynamic contours to match the song's natural peaks and valleys rather than treating it as one long climax.

How to use it

Plant this in a mid-show peak or build toward it as a finale. It works equally well as a standalone moment or as a bridge between contrasting selections, since its familiarity and upbeat character give audiences a breather before shifting moods.

Skills your students will build

  • Maintaining rhythmic precision in syncopated figures
  • Balancing melody and harmonic support across multiple sections
  • Executing tight ensemble articulation at tempo
  • Shaping phrasing to serve a pop melody idiom

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