You're The One That I Want Sheet Music Preview

You're The One That I Want: Lead Sheet / Fake Book

By John Farrar / As performed by John Travolta / As performed by Olivia Newton-John

Item: 35-DS00084706

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00084706

More about this title

About the Composer: John Farrar

John Farrar composed and produced some of the most recognizable pop music of the 1970s and 1980s, working extensively with Olivia Newton-John across multiple albums and film projects. His gift for crafting infectious melodies and radio-friendly arrangements made him a central figure in the pop and soft rock landscape of that era, with "You're The One That I Want" standing as one of his signature achievements.

Why we love this

This lead sheet captures one of the most instantly recognizable pop songs ever written, making it invaluable for jazz ensembles, pop choirs, and keyboard students who need approachable, audience-friendly material with genuine artistic substance. The straightforward harmonic language and infectious hook reward clean execution and rhythmic precision, while the song's cultural weight means students engage with it seriously from day one.

What to expect

Irresistible and joyful, with an infectious groove that lands instantly and a melody that refuses to leave your head. The song radiates confidence and playfulness, making performers feel like they're delivering something that listeners already know and love.

Who it's for

Piano students and keyboardists who want to build facility with pop standards, vocalists preparing audition or performance material, and jazz or pop ensembles seeking accessible, high-energy repertoire that still demands musicianship. This lead sheet works equally well for independent study or as part of a group arrangement.

How to get the most out of it

  • Lock the groove early in rehearsal. The song's infectious quality comes entirely from rhythmic consistency, so establish a steady pocket before worrying about inflection.
  • Lean into the rhythmic articulation on the chorus. The lead sheet's notation will guide you, but vocalists and keyboardists should treat the "you're the one that I want" phrase as a rhythmic unit, not just a melody line.
  • Keep the arrangement tight and energetic. This song's power lies in its simplicity, so resist over-complicating harmonies or adding unnecessary embellishment.
  • Balance the vocal melody with a light accompaniment. The song works best when the keyboard and rhythm section stay clear and spacious, allowing the hook to shine without clutter.

How to use it

Pair this with other pop standards from the same era for a throwback concert segment, or use it as an opening number for a pop or jazz showcase where immediate audience engagement matters. It also serves well as a study piece for understanding how lead sheets translate classic recordings into performance-ready arrangements.

Skills your students will build

  • Reading and interpreting lead sheet notation
  • Comping and accompaniment from chord symbols
  • Maintaining rhythmic precision in syncopated pop figures
  • Balancing melodic clarity with harmonic support
  • Executing standard pop phrasing and articulation

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