You're Still a Young Man: 2nd Mallet Percussion

Victor López's arrangement captures the soul and swagger of the original while tailoring the texture for marching band instrumentation. The trumpet feature gives your section a genuine R&B ballad to own, rather than asking them to play background parts in a generic march. This piece earns its Grade 3 rating by demanding musicality and control rather than technical showiness—exactly what separates a competent section from one that knows how to play with conviction.

Warm, soulful, and surprisingly intimate for a marching ensemble. The arrangement settles into an R&B pocket that feels more like a stage band in a theater than a traditional field show, inviting audiences into the groove rather than overwhelming them with volume. Horns float over the foundation with restraint and confidence, letting the melody's elegance speak.

This score and parts suit marching bands fielding solid trumpet sections ready to carry a melody with emotional depth. Directors looking to program a funk or soul standard without diluting the original's character will find López's arrangement respectfully adapted. The Grade 3 difficulty keeps focus on musicianship and style rather than fingering gymnastics.

• Shape the melodic phrases with the vocal phrasing of the original recording in mind. This is a ballad arrangement, so breathe where a singer would, not where the bar line suggests.
• Balance the trumpet melody against the underlying harmonic support from lower brass and reeds. The arrangement works only when listeners can hear both layers distinctly.
• Let the groove settle into the pocket rather than rushing. The R&B feel depends on players laying back slightly behind the beat, a discipline that takes rehearsal time to lock.
• Use the 2:15 length strategically. This piece moves quickly enough that pacing matters. Test your tempo in full-ensemble runs to find where the arrangement breathes best for your group.

Program this as a dramatic shift in energy within your show, especially if Part 1 and Part 3 demand higher intensity. The 2:15 runtime makes it an ideal second act opener that signals to the audience a change of mood. Pair it with pieces in contrasting tempos or styles to highlight what makes this arrangement distinct.

• Phrasing and breath control in ballad style
• Playing behind the beat in funk/R&B grooves
• Balancing melody against harmonic accompaniment
• Listening for and locking into pocket rather than relying on tempo
• Expressing character and emotion in a section feature context