You're All I Want For Christmas Sheet Music Preview

You're All I Want For Christmas: SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00262549

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00262549

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's reach spans continents and decades. A DMA graduate in Choral Conducting from the University of Washington with formal training in Music Education and Choral Composition, Shaw has taught and conducted throughout North America, Europe, and beyond, working with ensembles from public school choirs to university vocal jazz groups at Colorado State and UMKC. His mentorship in vocal jazz came directly from legends like Bobby McFerrin, Al Jarreau, and Jon Hendricks, who recognized Shaw's musicianship firsthand.

With over 2,500 arrangements and compositions in print, Shaw's music has sold nearly 20 million copies worldwide and earned multiple ASCAP awards. His output spans educational recordings, college albums, solo projects, and collaborations with the a cappella ensemble Just 4 Kicks. Shaw currently directs the Jefferson State Choral Coalition at Southern Oregon University and, together with his wife Markita, co-created an original musical adaptation of A Christmas Carol called Scroogical.

Why we love this

Shaw's arrangement captures the intimacy and warmth that makes this holiday standard resonate year after year, crafting an SSA voicing that sits naturally for women's voices while allowing the melody to shine. The seven-page octavo gives singers room to breathe and shape the song without unnecessary complexity, making it accessible for holiday concerts, winter assemblies, or informal performances. Shaw's ear for harmony and his background in vocal jazz inform every phrase, creating an arrangement that feels both polished and genuinely musical.

What to expect

Warm and genuine, with an understated elegance that lets the lyrical content speak. The arrangement honors the simplicity of a love song while adding harmonic depth that keeps singers engaged and gives listeners something fresh to hear in a beloved holiday standard.

Who it's for

Women's choirs and mixed ensembles looking for a sophisticated yet accessible holiday selection. This arrangement works equally well for community theater productions, school winter concerts, or dedicated holiday programming where singers want to perform something familiar but freshly arranged.

How to get the most out of it

  • Balance the melody clearly in the soprano line while letting the alto and second soprano parts support and color the harmonic foundation; resist the urge to oversing the lower voices.
  • Attend to dynamic phrasing that follows the emotional arc of the text; this arrangement rewards singers who shape phrases rather than delivering them at a single volume level.
  • Explore the recorded accompaniment if available, using it as a reference for tempo and overall feel, then work toward independence so your singers can own the performance without relying on the track.

How to use it

Slot this as a centerpiece on a winter concert alongside more playful or upbeat holiday fare; its tender quality offers necessary emotional contrast. It also works beautifully as a finale number when you want to end on a reflective, intimate note rather than a high-energy climax.

Skills your students will build

  • Blending and balance in three-part harmony
  • Sustaining legato phrasing across longer melodic lines
  • Expressing emotional nuance through dynamic control and text interpretation
  • Reading and executing SSA voicing with independence

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