You Raise Me Up (arr. Carol Canning) Sheet Music Preview

You Raise Me Up (arr. Carol Canning): SSAA Choral Octavo

As performed by Josh Groban / Arranged by Carol Canning

Item: 35-DS00489777

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00489777

More about this title

About the Artist: Josh Groban

Josh Groban rose to prominence in the early 2000s as a crossover artist who brought classical training and Broadway sensibility to pop and adult contemporary music. His distinctive baritone and emotional restraint made him a fixture on radio and in concert halls, appealing to audiences across multiple genres. His work demonstrates how classical vocal technique can serve contemporary songwriting.

Why we love this

Carol Canning's arrangement captures the song's soaring, hymn-like quality while making it singable for mixed voices without sacrificing emotional impact. The SSAA voicing opens this beloved ballad to more ensembles, and Canning's writing balances moments of solo vulnerability with rich four-part texture. It's the kind of song that reminds audiences why they love choral music in the first place.

What to expect

Warm and generous. The piece unfolds with the comfort of a familiar embrace, building gradually from intimate verse moments to full choral swell. There's sincerity here, not cynicism, and the arch of the song rewards singers who commit to legit vocal production and thoughtful phrasing.

Who it's for

SSAA or SAA choirs looking for a wedding repertoire piece, concert opener, or spring show closer that lands emotionally without requiring men's voices. The arrangement works equally well for high school treble choirs, college women's ensembles, and community groups seeking accessible but musically substantial pop repertoire.

How to get the most out of it

  • Balance the soprano line against the inner voices, which carry important harmonic weight. The arrangement won't soar if the middle voices get buried.
  • Shape the phrase endings with gentle releases rather than full stops. This keeps the legit, almost orchestral quality intact across the six pages.
  • Consider what the sopranos are doing when altos or second sopranos take the melody; full-voiced tutti moments need clarity about who's leading and who's supporting.

How to use it

This works beautifully as a second-half or finale selection at spring concerts, especially if you're programming a mix of classical and contemporary work. It also serves as an excellent wedding or formal event piece for chamber ensembles. Pair it with other accessible crossover repertoire to show your choir's range beyond traditional classical choral literature.

Skills your students will build

  • Sustaining legit vocal production in a pop context
  • Four-part harmonic listening and blend in close voicings
  • Musical phrasing and dynamic shaping across longer melodic arcs
  • Maintaining emotional commitment through a cappella performance

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