You Raise Me Up (arr. Audrey Snyder) Sheet Music Preview

You Raise Me Up (arr. Audrey Snyder): 3-Part Mixed Choral Octavo

As performed by Josh Groban / Arranged by Audrey Snyder

Item: 35-DS01298752

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01298752

More about this title

About the Artist: Josh Groban

Josh Groban burst onto the classical crossover scene in the early 2000s, bringing operatic training and contemporary sensibility to a mainstream audience. His soaring tenor and emotional directness made him a fixture on pop radio and concert stages alike, proving that art song and accessibility weren't mutually exclusive.

Groban's catalog spans classical standards, original songs, and Broadway material, making him a compelling reference point for choral educators seeking repertoire that resonates with students steeped in popular music. His interpretations consistently prioritize the emotional core of a text, a quality that translates well to ensemble settings.

Why we love this

Audrey Snyder's arrangement captures the soaring optimism of the original while making it genuinely singable for mixed choirs. The 3-part voicing avoids the constant divisi trap, letting singers sustain long phrases and actually feel the emotional arc that makes this piece work.

What to expect

Warm and affirmative without veering into saccharine territory. The arrangement breathes, giving singers room to connect with Groban's signature emotional generosity while maintaining choral cohesion.

Who it's for

Any mixed choir looking for contemporary inspirational material that doesn't require a full octave of soloists to carry it. This works equally well for high school singers, adult community choirs, and church ensembles seeking something with crossover appeal.

How to get the most out of it

  • Shape the opening phrases with a gentle crescendo into each phrase ending rather than pulling back; this supports the text's sense of uplift.
  • Balance Part 1 melody against the harmonic foundation in Parts 2 and 3, but resist making the lower voices purely accompaniment. They carry real melodic interest.
  • Secure unison or near-unison moments early in rehearsal so the choir can move through the arrangement's structural pivots with confidence.

How to use it

Program this as a closing piece for spring or end-of-year concerts where you want audience engagement without sentiment overload. It also pairs naturally with other contemporary pop arrangements, allowing you to build a programming block that demonstrates your choir's range beyond traditional classical fare.

Skills your students will build

  • Sustaining long phrases across changing harmonic content
  • Balancing homophonic and semi-melodic textures within a three-part framework
  • Navigating register changes and managing vocal stamina in inspirational material

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