You Raise Me Up: Choral Instrumental Pak
Item: 35-PK00251380
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Description
This is the third work by DiOrio for chorus and marimba. Where "A Dome of Many Coloured Glass" (50498607) explores the virtuosic capabilities of this combination and "Alleluia" (50498734) is a work of extroverted exuberance, this work is concerned instead with the narrative demands of telling a story.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00251380
More about this title
About the Composer: Rolf Lovland
Rolf Lovland is a Norwegian composer whose gift for melody has made him a staple in sacred and popular music worldwide. His collaborations with lyricist Brendan Graham, particularly on "You Raise Me Up," demonstrate his ability to craft emotionally resonant works that speak across genres and audiences.
Lovland's compositional approach balances accessibility with sophistication, creating pieces that work equally well in concert halls and worship settings. His understanding of vocal writing and instrumental color has earned him a devoted following among music directors seeking material that engages both singers and audiences.
Why we love this
This arrangement delivers everything a director needs in one package: a melody so memorable that audiences leave humming it, a piano part that sounds more orchestral than intimate, and the flexibility to adjust voicing based on your ensemble's strengths. Joseph Martin's orchestration brings new sophistication to a beloved classic without losing the warmth that made the original essential.
What to expect
Entering the piece feels like stepping into quiet reflection before gradually building toward affirmation and hope. The opening's simplicity gives way to increasingly rich harmonic and textural layers, creating an emotional arc that feels both earned and inevitable, culminating in a statement of quiet confidence that lingers after the final chord.
Who it's for
Directors seeking repertoire that works in concert settings, church services, and special events will find this indispensable. The voicing flexibility makes it accessible to mixed ensembles of varying sizes and technical abilities, from high school choirs through community and adult groups.
How to get the most out of it
- Balance the vocal line with care during the accompaniment's busier passages; the Chopin-esque figuration can easily overshadow singers if not managed dynamically.
- Shape the phrase arcs deliberately through the middle section, resisting the urge to accelerate even as the accompaniment grows more active.
- Experiment with the voicing options to match your ensemble's comfort level; this flexibility is one of the arrangement's greatest strengths across multiple performance contexts.
- Let the accompaniment breathe in the opening measures; resist the tendency to rush, which can undercut the meditative quality that makes this work so effective in Holy Week programming.
How to use it
Position this during Holy Week services or Easter concerts where its spiritual depth carries particular weight, or program it on secular pops concerts as a bridge between lighter material and more substantial fare. Its combination of familiarity and musical substance makes it ideal for fundraising events where you need material that connects with broad audiences while showcasing your choir's musicianship.
Skills your students will build
- Balancing vocal lines with rich accompaniment textures
- Maintaining legato phrasing across longer song forms
- Shaping dynamic arcs through non-strophic structures
- Interpreting and executing voicing options responsively
- Sustaining emotional engagement in contemplative settings