You Raise Me Up Sheet Music Preview

You Raise Me Up: TTBB Choral Octavo

By Rolf Lovland / By Brendan Graham / As performed by Il Divo

Item: 35-DS00088840

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00088840

More about this title

About the Composer: Rolf Lovland

Rolf Lovland is a Norwegian composer whose gift for melody has made him one of the most performed contemporary songwriters in choral music. He has crafted dozens of pieces that resonate across genres, from classical to popular, often collaborating with lyricist Brendan Graham to create songs that speak to universal human experiences.

Why we love this

This arrangement cuts through the noise of oversaturated inspirational repertoire because it trusts the simplicity of the melodic line and the emotional directness of the text. Directors working with male voices know how rare it is to find a piece that sits comfortably across multiple voicing options (TB, TTB, TBB, TTBB) without sounding compromised. The piece asks singers to be present and honest rather than technically showy, which often produces performances that move an audience more than technical fireworks ever could.

What to expect

The song settles into your chest on the first phrase and stays there. There is no bombast here, only the quiet strength of men's voices supporting a melody that feels inevitable, as though it was always meant to be sung this way. The harmonic foundation beneath carries warmth and dignity in equal measure.

Who it's for

Male choirs and mixed ensembles looking for a modern piece with classical sensibility and crossover appeal. This works equally well for concert programs, festival repertoire, or weddings where a secular inspirational moment serves the occasion.

How to get the most out of it

  • Balance the verse's sparse texture by resisting the urge to oversing; let the melody breathe through clean diction and stillness.
  • Shape the dynamic arc across the full eight pages rather than treating each section as its own climax.
  • Lock the inner voices into a solid harmonic foundation so the top line can soar without feeling unmoored.
  • Attend closely to the bridge section where the harmonic language shifts; make sure those moments read as purposeful key points rather than accidents.

How to use it

Program this in the second half of a concert to shift the energy toward reflection without losing momentum. It pairs naturally with other contemporary sacred or secular pieces that prioritize emotional authenticity over technical display. For festivals or competitions, it demonstrates your ensemble's ability to serve a song rather than overshadow it.

Skills your students will build

  • Balancing solo line with harmonic support across multiple voicings
  • Shaping long phrases with purposeful breath placement
  • Maintaining harmonic clarity in four-part male voicing
  • Connecting text to emotional intention without overacting

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