You Ought to be Having Fun Cover Image

You Ought to be Having Fun: Marching Band Conductor Score

$8.00 USD
Sale price  $8.00 USD Regular price 
Skip to product information
You Ought to be Having Fun Cover Image

You Ought to be Having Fun: Marching Band Conductor Score

Arr. Victor López, perc. arr. Anthony M. Falcone

Grade: 3 (Medium)

Item: 00-26970S

$8.00
Shipped

One moment…

Description
Here is one of Tower of Power's biggest hits in a great new arrangement by Victor López. It has a great groove with all of the trademark hot brass licks that are Tower of Power's trademark. An exceptional chart by an exceptional writer.

You Ought to be Having Fun: Marching Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081300771
SKU: 00-26970S

More about this title

About the Arranger: Victor López

Victor López is a prolific arranger and composer whose work spans marching arts, concert band, and jazz ensembles. His arrangements are known for preserving the energy and character of original material while crafting parts that challenge and engage musicians across all ability levels. López has become a cornerstone voice in modern marching band literature, consistently delivering charts that sound professional while remaining accessible to developing programs.

Why we love this

López captures the kinetic swagger of Tower of Power's original without sacrificing clarity or playability. The brass writing gleams with attitude and precision, giving your horn line the chance to execute trademark licks that actually sit well on the field. It's a crowd-pleaser that respects both the source material and your students' capabilities.

What to expect

This arrangement grooves. You'll hear the warm, brassy swagger that made Tower of Power legendary, with punctuating horn figures that sit comfortably in a marching ensemble while maintaining that effortless funk. The energy feels earned rather than forced, with space for clarity alongside the heat of the full ensemble.

Who it's for

Directors programming a contemporary, high-energy opener or closer for a marching show will find this chart delivers both musicality and audience appeal. It works equally well for developing programs seeking a Grade 3 chart with real personality and for competitive groups looking to feature Tower of Power's signature sound with stylistic authenticity.

How to get the most out of it

  • Lock the brass section's rhythm section tight before layering in the lead voices; the groove sits entirely on how locked in your tuba, low brass, and pit are underneath.
  • Mark the accents on those hot brass licks clearly in rehearsal, then isolate them without percussion to nail the articulation before bringing everything back together.
  • Let the drums breathe during the groove passages; this isn't about overwhelming volume, it's about pocket and pocket consistency from front to back.
  • Check your charts for the specific phrase marks López uses around the melody; respect them, as they're essential to the funkiness of the arrangement.

How to use it

Use this as a contemporary show anchor or feature number where you need something that pulls crowds in immediately. It pairs well alongside classic hits and modern pop arrangements in a mixed program, and the Grade 3 level means your full roster can participate meaningfully. Consider it for fall competition circuits or spring concert programs where you want to showcase brass strength with current popular appeal.

Skills your students will build

  • Executing syncopated rhythm figures across multiple parts simultaneously
  • Balancing melodic clarity with ensemble groove
  • Articulation precision in fast brass passages
  • Maintaining pocket and consistent subdivision in funk-based grooves
  • Reading and executing dynamic markings that shape phrasing over sustained chords

You May Also Like