You Must Love Me (from Evita) (arr. Ed Lojeski): SATB Choral Octavo

Ed Lojeski's arrangement captures the emotional core of this Andrew Lloyd Webber ballad while keeping the voicing accessible for intermediate choirs. The song's film success and cultural footprint make it instantly recognizable to your singers, which builds engagement and motivation faster than many standard pop arrangements.

The piece unfolds with restrained elegance, building emotional weight through harmonization rather than orchestral texture. Lojeski's setting preserves the intimate vulnerability of the original while giving your choir the tools to shape a powerful group statement.

This arrangement works for upper intermediate through advanced SATB choirs seeking repertoire that speaks to contemporary audiences. It's ideal for directors programming concert pops, musical theater programs, or mixed rep concerts where a Broadway standard adds legitimacy and cultural resonance.

• Treat the lyric phrasing as your primary guide rather than strict metric divisions. The song breathes like a ballad, and your ensemble will sound more musical if you prioritize the text over the printed barline.
• Balance the soprano line carefully; it carries the melody and needs presence without overwhelming the supporting voices beneath it.
• Work the dynamic arc in phrases rather than holding a single volume level throughout. This Webber song thrives on shape and emotional trajectory.
• Bring the soloists into rehearsal early if you're featuring individual voices on any section, so the transition between soloist and full choir feels intentional rather than abrupt.

Position this as a centerpiece in a Broadway or contemporary music set, where it can anchor a program and provide an emotional peak. It also serves well as a showcase piece for solo voice with choral backing, allowing you to feature individuals while keeping the full ensemble engaged.

• Sustained legit singing through long phrase lengths
• Dynamic control and shaping over static harmonic areas
• Balancing individual melodic lines within four-part texture
• Collaborating between featured soloist and ensemble
• Interpreting contemporary pop material with musical maturity