You Must Love Me (from Evita) (arr. Ed Lojeski): 2-Part Choral Octavo

As performed by Madonna / Arranged by Ed Lojeski

Item: 35-DS00455243

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00455243

More about this title

About the Artist: Madonna

Madonna emerged as a defining pop voice of the 1980s and beyond, building a career on reinvention, ambitious production, and an instinct for connecting with audiences across genres. Her work in musical theater, including the role of Eva Perón in the 1996 film adaptation of Evita, demonstrated her range as a performer and her ability to inhabit complex characters with conviction.

Why we love this

Ed Lojeski's arrangement captures the emotional core of this ballad while keeping the harmonic language accessible for developing singers. The 2-part voicing allows you to program this without dividing your ensemble, making it practical for mixed-ability choirs while still delivering the theatrical impact that makes the song memorable.

What to expect

Intimate and yearning, this arrangement preserves the vulnerability of the original while adding harmonic depth that rewards careful listening. The song unfolds like a quiet conversation, each phrase settling into the next with emotional honesty rather than spectacle.

Who it's for

Choirs seeking contemporary material that bridges pop and choral traditions will find this accessible and engaging. It works well for mixed ensembles, treble choirs, or community groups looking to expand beyond classical repertoire without sacrificing musical substance.

How to get the most out of it

  • Shape the phrasing around the lyrical arc rather than the bar line; this song breathes naturally in longer musical phrases that extend across measures.
  • Balance the upper and lower voices so neither dominates, letting the harmonies create warmth without losing the melody's prominence.
  • Approach dynamics as emotional gestures, building intensity toward key moments rather than relying on sudden shifts in volume.
  • Rehearse the text separately at first to ensure clear diction and emotional ownership before layering in the harmonic complexity.

How to use it

Pair this with other Broadway or contemporary selections to create a focused concert segment that appeals to singers and audiences alike. It works particularly well as a standalone number or as part of a program exploring how popular music translates to the choral medium.

Skills your students will build

  • Sustaining legit singing technique across sustained melodic lines
  • Blending into two-part harmony without losing individual voice quality
  • Navigating the intersection of pop phrasing and choral precision
  • Building emotional expression through text and dynamic shaping rather than technical display

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