You Made Me Love You (I Didn't Want To Do It) (from Broadway Melody of 1938) Sheet Music Preview

You Made Me Love You (I Didn't Want To Do It) (from Broadway Melody of 1938): E-Z Play Today

As performed by Al Jolson

Item: 35-DS00456605

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You Made Me Love You (I Didn't Want To Do It) (from Broadway Melody of 1938): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00456605

More about this title

About the Artist: Al Jolson

Al Jolson (1886–1950) was one of vaudeville and early cinema's most electrifying performers, dominating American entertainment from the 1910s through the 1940s. His outsized personality, powerful voice, and willingness to inhabit a song made him a box office draw; he starred in "The Jazz Singer" (1927), the first talkie, and appeared in numerous musicals including "Broadway Melody of 1938," which introduced this standard. For music educators, Jolson's approach to phrasing and rhythmic flexibility offers a window into how jazz idioms informed popular song interpretation during the Golden Age of Broadway.

Why we love this

This E-Z Play arrangement captures a tune with real swagger and character, giving students access to a piece that demands personality without getting bogged down in complexity. The song's straightforward harmonic vocabulary and memorable melody make it ideal for beginners learning how to inhabit a style rather than just hit the notes.

What to expect

Charming and slightly tongue in cheek, with the irresistible pull of a song that knows its own appeal. The melody has warmth and a conversational quality, as if someone is leaning in to confess something they didn't think would happen but now can't deny.

Who it's for

Student pianists developing jazz and standard repertoire, especially those learning to add stylistic nuance to their playing. Works equally well for hobbyists rediscovering the Great American Songbook.

How to get the most out of it

  • Lean into the rubato in the opening phrases; this isn't a metronomic piece, and Jolson's influence means the tune expects some rhythmic give and take.
  • Balance the left hand lightly so the melody sings through without competition; the accompaniment supports rather than anchors.
  • Let the humor come through in the character of the song. The title itself announces the comedic setup, so find the warmth and charm rather than playing it straight.

How to use it

Feature this in a jazz standards or American songbook unit for intermediate pianists, or pair it with other Broadway tunes from the same era for a unit on early cinema musicals. It works nicely as a recital piece that gives students permission to be expressive without requiring virtuosity.

Skills your students will build

  • Phrasing and interpretation within jazz and pop idioms
  • Rubato and rhythmic flexibility
  • Balance between melody and accompaniment in jazz voicings
  • Understanding era-specific performance conventions in American song

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