You Made Me Love You: 3-Part Mixed Choral Octavo
Words by Joe McCarthy, music by James V. Monaco / arr. Jay Althouse
Item: 00-PO-0003789
$2.25
Minimum order quantity: 20 copies
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Description
Take a special look at this great American pop song standard arranged in an easy, light swing style. Features logical voice leading and a full-choral sound, both Jay Althouse trademarks. Opens with an optional soprano solo. Can be sung by any size group. Choose either the optional SoundTrax or SoundPax to add rhythm and horns.
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Additional Details
Series:
Alfred Archive Edition: Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
8
SKU:
00-PO-0003789
More about this title
About the Composer: James V. Monaco
James V. Monaco (1885-1945) was a prolific composer and pianist who helped define the sound of American popular song in the 1920s and 1930s. He composed the melodies for dozens of standards recorded by the era's biggest performers, including Bing Crosby and Al Jolson, and his work appeared frequently in film and on Broadway.
Monaco's gift for crafting memorable, singable melodies made his songs ideal for both professional recording artists and community ensembles. "You Made Me Love You" exemplifies his ability to write a tune that feels both sophisticated and instantly accessible, which is why his compositions remain valuable additions to choral repertoires nearly a century after their creation.
Why we love this
Jay Althouse's arrangement captures the charm of this vintage standard without demanding virtuosity from your singers. The light swing style and optional soprano solo give the piece personality and showcase potential, while the straightforward three-part voicing ensures every voice line remains singable and clear, even in groups with limited rehearsal time.
What to expect
Warm nostalgia with forward momentum. The tune floats effortlessly over a gentle swing rhythm, creating an atmosphere that feels both polished and inviting. There's a brightness here, a quality of genuine affection conveyed through a melody that seems to know exactly where it's going.
Who it's for
This arrangement works for any mixed choir at the beginning to intermediate level, including community choruses, high school choirs, and church ensembles. The straightforward voicing and familiar melody make it accessible regardless of ensemble size, and the optional solo and accompaniment choices let you tailor it to your specific resources.
How to get the most out of it
- Balance the optional opening soprano solo so it reads as a distinct moment before the full choir enters; if no soloist is available, move directly to the full ensemble without awkwardness.
- Shape the swing feel through articulation rather than rushing; crisp consonants and slightly detached vowels will communicate the style without distorting the melody.
- Use the SoundTrax or SoundPax accompaniment in rehearsal to lock the groove early, then gradually fade it out so the choir can own the rhythm independently by performance.
- Control the crescendo to full choral sound after the solo section by bringing in parts gradually rather than all at once; this creates the building energy the arrangement is designed for.
How to use it
Schedule this for a casual concert program where a touch of American songbook elegance fits the mood; it pairs naturally with other standards or lighter repertoire and provides a welcome tonal contrast to more serious works. The optional solo also makes it an excellent choice when you want to spotlight a singer while keeping the focus on ensemble singing.
Skills your students will build
- Swing rhythmic feel and articulation
- Ensemble balance across three mixed voices
- Clean voice leading in SAB textures
- Confidence with standards-based repertoire