You'll Be In My Heart (Pop Version) (from Tarzan) (arr. Ed Lojeski) Sheet Music Preview

You'll Be In My Heart (Pop Version) (from Tarzan) (arr. Ed Lojeski): SATB Choral Octavo

As performed by Phil Collins / Arranged by Ed Lojeski

Item: 35-DS00453365

Digital Download
$2.99
Description

You'll Be In My Heart (Pop Version) (from Tarzan) (arr. Ed Lojeski): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00453365

More about this title

About the Artist: Phil Collins

Phil Collins dominated popular music from the 1980s onward, first as the drummer and later vocalist of Genesis before launching a parallel solo career. His work scoring films for Disney, particularly The Lion King and Tarzan, demonstrated his gift for crafting emotionally resonant melodies that connect with audiences across generations. In the classroom, his songs offer accessible entry points into contemporary songwriting for choirs seeking repertoire that engages students and audiences alike.

Why we love this

Ed Lojeski's arrangement captures the warmth and intimacy of Collins' original ballad while giving it enough harmonic sophistication to challenge a developing SATB choir. The pop sensibility paired with solid four-part writing means your singers stay engaged with material they recognize, while you get real pedagogical content beneath the accessibility. Programming a Disney film song alongside art music on a concert creates natural programming variety and draws broader family attendance.

What to expect

Tender and reflective, with an understated emotional honesty. The arrangement moves through warm harmonic colors while maintaining the gentle vulnerability of the original, creating a moment of genuine connection between singers and audience rather than theatrical spectacle.

Who it's for

High school choirs and community choirs with confident sight-readers who want contemporary material that doesn't sacrifice musicianship. It works equally well for singers new to four-part voicing who need an emotionally engaging vehicle to build their ensemble skills.

How to get the most out of it

  • Shape the opening phrases with careful attention to dynamics; Lojeski's arrangement relies on subtle dynamic shifts rather than sudden changes, so communicate the arc in rehearsal before singers default to straight dynamics.
  • Lock the alto and tenor lines into their supporting role around the soprano melody. These inner voices need clarity without overshadowing the tune, especially in measures where harmonic movement carries more weight than text.
  • Treat the accompaniment as an active partner rather than background texture. The piano part reinforces harmonic color and rhythmic clarity that help singers find their pitch and stay rhythmically coordinated.
  • Pay particular attention to blend in the lower register, where bass and tenor voices need to sit together without muddiness. Slower tempos demand precise vowel consistency.

How to use it

Position this in the second half of a concert where it can provide both a tonal shift and a breath of fresh air. Pairing it with one other accessible pop or film arrangement creates a short contemporary set that resonates with families while demonstrating your choir's stylistic range.

Skills your students will build

  • Balance between melody and supporting harmony lines
  • Connecting emotional expression to precise intonation and blend
  • Reading and executing contemporary chord voicings in SATB texture
  • Phrasing and dynamic nuance in a slower, song-like setting

You May Also Like