You Keep Me Hangin' On Sheet Music Preview

You Keep Me Hangin' On: SAB Choral Octavo

By Brian Holland / By Lamont Dozier / By Edward Holland / As performed by Kim Wilde / As performed by The Supremes / Arranged by Mark Brymer

Item: 35-DS00151589

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00151589

More about this title

About the Composer: Brian Holland

Brian Holland was a cornerstone of the Motown sound, writing and producing hits that defined an era. Working alongside Lamont Dozier and Edward Holland (his brother), he crafted some of the most enduring pop and soul melodies of the 1960s, many of which became standards performed across every musical genre imaginable.

Why we love this

Mark Brymer's arrangement captures the infectious energy of the original while making it genuinely singable for three-part mixed voices. The familiar hook and propulsive rhythm give singers something to latch onto immediately, yet the arrangement shows sophistication in how it layers the voices and maintains momentum across all eleven pages.

What to expect

Energetic and infectious. The song pulses with the confidence of a Motown classic, combining a hook that sticks with you long after rehearsal ends and the kind of rhythmic vitality that makes an audience lean forward in their seats. There's joy in the movement and sincerity beneath the pop sheen.

Who it's for

High school and community choirs looking to program accessible pop repertoire with real musical substance. Singers love performing songs they already know, and this arrangement respects both their intelligence and their enthusiasm.

How to get the most out of it

  • Lock the rhythmic precision between the parts early; this song lives on forward motion and crisp articulation, especially in the refrain.
  • Shape the vocal line expressively rather than mechanically. The Motown tradition thrived on emotional delivery, so encourage singers to connect each phrase to the lyrical meaning.
  • Balance the SAB voicing so the melody remains clear. The middle voice often carries harmonic support that matters to the overall sound.
  • Record a rehearsal run-through and listen back as an ensemble. Hearing yourselves together builds confidence and reveals blend issues quickly.

How to use it

Program this during the spring pops concert or as a set opener to establish high energy early. It works equally well as a standalone feature or paired with other Motown-era hits to create a thematic concert block that appeals to audiences of all ages.

Skills your students will build

  • Rhythmic precision in syncopated pop idioms
  • Balancing three-part SAB voicing with clarity
  • Expressive phrasing in familiar melodic material
  • Sustaining forward momentum across a longer form
  • Ensemble cohesion in contemporary music

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