You Get Me Sheet Music Preview

You Get Me: 3-Part Mixed Choral Octavo

As performed by Jamie Houston / Arranged by Janet Day

Item: 35-DS00283962

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00283962

More about this title

Why we love this

This arrangement captures the warmth and accessibility that made the original so resonant, while giving your singers a contemporary tune that feels fresh in concert. The 3-part mixed voicing sits naturally for developing choirs, and arranging work from a Disney catalog piece guarantees student engagement without sacrificing musical substance.

What to expect

Uplifting and earnest, with a pop sensibility that never feels saccharine. The arrangement leans into the emotional core of the song while keeping the vocal writing accessible and rewarding for all three parts.

Who it's for

Intermediate to advancing mixed choirs seeking contemporary repertoire that appeals to singers and audiences alike. Works equally well for festival programming, concert seasons, or as a morale builder during heavy rehearsal periods.

How to get the most out of it

  • Balance the melody line across your soprano and alto voices so the tune remains clear even when all three parts are moving. A quick sectional with just the top two parts will establish this blend.
  • Keep the harmonic foundation steady in the second and third parts; this anchors the piece and lets the melody shine without the accompaniment competing for attention.
  • Shape each phrase with a gentle dynamic arc rather than staying at one level throughout. Small crescendos into phrase peaks make the song breathe naturally.

How to use it

Pair this with other contemporary secular fare to create a set that demonstrates your choir's range and versatility. Its moderate length and bright character make it an excellent opening number or a feel-good closer that leaves audiences smiling.

Skills your students will build

  • Balancing melody and harmonic accompaniment across multiple vocal lines
  • Shaping phrases with dynamic intent rather than note-by-note singing
  • Blend and balance in 3-part mixed voicing
  • Interpretation of contemporary pop-influenced harmonic language

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