You Do Something To Me (from Fifty Million Frenchmen): E-Z Play Today

Porter's melodic writing here sits perfectly under the fingers while his chromatic harmony rewards close listening. The song offers pianists a genuine taste of golden-age Broadway style without the technical demands that would overwhelm developing players.

Suave and affectionate, with the kind of sophisticated charm that defines 1920s Broadway. The melody floats easily over chords that shimmer with unexpected turns, creating the feeling of a perfectly tailored song delivered with genuine warmth.

Late-intermediate pianists ready to explore jazz standards and Broadway repertoire. This arrangement works equally well for students building jazz vocabulary and performers preparing a recital program that includes American songbook material.

• Shape the melody with gentle dynamic shaping rather than playing it flat; Porter's phrases breathe naturally when you let them swell slightly at peaks.
• Keep the accompaniment light and dancing. These chords shouldn't feel heavy, even when you're reaching across the keyboard.
• Treat the chromatic passing tones as natural voice leading. They're not decorative; they're part of the harmonic movement.

Pair this with other Porter songs or era-appropriate standards for a Broadway-focused recital segment. It also serves well as a bridge piece between classical and jazz studies, helping students understand how popular song composition can contain real harmonic depth.

• Reading and interpreting jazz chord voicings
• Stylistic phrasing in the Broadway idiom
• Managing chromatic harmony and voice leading
• Balancing melody projection with accompaniment texture